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After the first shock of his marine son's death on Corregidor in the spring of 1942, Joseph Fain of Independence, Mo. reacted just like thousands of other fathers-he kept a stiff upper lip, comforted his wife and went on about his business as if nothing had happened. Fain prospered: he had been a policeman, then a member of an Independence Municipal Light Department line crew; after his son's death, he started his own electrical shop and did well...

Author: /time Magazine | Title: VETERANS: Father & Son | 9/3/1951 | See Source »

Through those nine years, Fain had a gnawing desire to hear more about the last days of his son, who had been named after Fain's old friend and fellow townsman County Judge Harry S. Truman...

Author: /time Magazine | Title: VETERANS: Father & Son | 9/3/1951 | See Source »

Rarely have two teams looked worse than Philadelphia and St. Louis. Put together, they would still be at the bottom. Ferris Fain, the Athletics' first baseman, is leading the league in batting, and Ned Garver has won seven of the Browns' 13 victories. Eddie Joost and Gus Zernial of the A's and Joe Coleman of the Browns are hitting well. The rest are best forgotten. Bankruptey is more probable than sixth place for either of these two--already over, 15 games behind...

Author: By Andrew E. Norman, | Title: THE SPORTING SCENE | 6/5/1951 | See Source »

...Musical in Manhattan Flahooley (music by Sammy Fain; book & lyrics by E. Y. Harburg and Fred Saidy; produced by Cheryl Crawford in association with Harburg & Saidy) is a lavish attempt by the creators of Finian's Rainbow to repeat their success. They fail, in part perhaps from too laboriously repeating their formula. Once again they have mingled the tinkling sheep bells of fantasy with the braying loudspeakers of satire, this time robbing the Arabian Nights while ribbing American Big Business. What results is all the hurly-burly of a carnival with very little of the gaiety...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, may 28, 1951 | 5/28/1951 | See Source »

...less Flahooley's own difficulty. Its magic lamp gets to seem more like a Pandora's box; its story grows as cluttered as a playroom on Christmas night; and a show that should strive for lightness seems to be selling itself by weight. Much of Sammy Fain's music has genuine bounce and swing. But under the handicap of its surroundings, it often suggests the playroom with the radio going. A so-so cast includes Singer Yma Sumac, whose voice spans four octaves. It is Bil & Cora Baird's puppets that are much the gayest, most...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, may 28, 1951 | 5/28/1951 | See Source »

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