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The album closes with “Take Care,” which encapsulates the album’s exploration of the glowing, growing, capital “L” kind of Love—“It’s no good unless it’s...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Beach House | 2/2/2010 | See Source »

Right from the start, Paul's arrangement has more hooks than a Chicago abattoir. ("We used to start our gigs with the opening riffs from 'How High the Moon,' " said another Paul, the one with the Beatles. "Everybody was trying to be a Les Paul clone in those days.") Do...

Author: /time Magazine | Title: Death of the Guitar Man: Les Paul (1915-2009) | 8/13/2009 | See Source »

Even in comedy, where women were mandatory for smart repartee and the fade-out kiss, guys have elbowed them out of the equation. Forget Tracy and Hepburn. Today the standard pairing is some combination of Ben Stiller, Vince Vaughn, Ferrell and one or more Wilsons. Wedding Crashers, Talladega Nights and...

Author: /time Magazine | Title: The Big Picture: Why Can't a Woman ... Be a Man? | 4/5/2007 | See Source »

That verdict was premature, but people believed it because they so desperately wanted to. Besides, Ford looked like an honest, decent man, and that, as people who knew him readily attested, is exactly what he was. Frank Capra might have made a movie of Ford's wholesome life to date...

Author: /time Magazine | Title: Gerald Ford: Steady Hand for a Nation in Crisis | 12/27/2006 | See Source »

Who could stop these creatures, or shut them up? Not Altman: he hears America talking, endlessly, engagingly, whether or not it makes sense. Even in an two-person conversation, the Babel of off-screen voices tells you that the main story is just one of many that could be told...

Author: /time Magazine | Title: Remembering Robert Altman | 11/21/2006 | See Source »

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