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...that are now being legally targeted in France, not to mention Belgium and Italy as well. Although pointed to by politicians as a dangerous new social problem, the practice is extremely rare. Even those who speak in favor of banning what the proposed law calls “public facial dissimulation” admit that the phenomenon is extremely marginal. Initial government intelligence reports named 367 documented cases. And, according to the Ministry of the Interior, no more than 2,000 women in France wear an “integral veil...

Author: By Judith Surkis | Title: The Tip of the Iceberg | 5/26/2010 | See Source »

...word ‘lineament’ refers to the distinctive lines which comprise something’s characteristics, such as a person’s unique facial features. Right now, I’m learning about musically distinctive lines,” Strand says. “In this piece, I’m looking at how melodically distinctive I can make a composition using particular musical lines...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Original Student Composers | 4/27/2010 | See Source »

This is especially true for the lyrical style that CDT practices. A combination of ballet, jazz, and modern dance, lyrical style movements speak directly to the words and tone of a song using gestures and facial expressions. “If in the song the lyrics say that something is far away, then you extend your arm out to indicate that,” Szpak explains...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

...must make. The epic battle scenes and elaborate fight choreography rival those of “The Lord of the Rings” Trilogy, but to some extent they serve as a distraction from the dynamics of the characters, who are amazingly acted by Li, Kaneshiro, and Lau. Every facial expression, gesture, and spoken line of the three men, particularly Li, is so firmly embedded in character that the presence of the actor is virtually invisible. They work together seamlessly as a team, and watching them act out the slow destruction of their characters’ relationship is as much...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: The Warlords | 4/13/2010 | See Source »

Even in his portraits, like The Italian Woman, Matisse could almost entirely transform the sitter, because he was confident that feeling in a painting was conveyed not by physical appearance or facial expression but by the sum of the impressions created by line and color. Often he began a picture with something like a realistic scene, then distilled it repeatedly. This is what happened with his magnificent Bathers by a River. When he started the large wall painting in 1909, it was a panorama of voluptuous women in bright colors. When he finished it seven years later, the women were...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

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