Word: exhibited
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Dates: during 1970-1979
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...drive home these facts, ARCO has adapted a DOE system for a traveling exhibit that will visit 125 cities over the next 14 months and provide direct hands-on teaching of how to save gas. The visitor climbs into a V-8 Chevrolet Malibu that is mounted on a special platform. Then, following audiotaped instructions and other information that is flashed at him, he "drives" the stationary car in typical fashion over a simulated three-mile course. A measuring device reveals how much gas he used. Next, he takes the car over the course a second time, following instructions that...
...consumption comparisons can be dramatic; most drivers manage to save 20% to 40%, and some as much as 48%. Though Energy Secretary Charles Duncan Jr. did not take the time to go for a test spin when he visited the exhibit in Washington last week, he did promote ARCO's effort by sitting behind the wheel of the Malibu. Motorists, he said, can cut fuel consumption by as much as 10% "without inconvenience or sacrifice...
...Adams a David Hume Kennerly. "We once swapped one for one," recalls the younger man. But the most satisfying of their exchanges, says Kennerly, was photographing Adams for this week's cover story, which marks the publication of Adams' 35th book and the opening of a major exhibit of the work of the man who, at 77, is the nation's best-known art photographer. He is also the first photographer to appear on TIME's cover and, says his portraitist, "the most deserving subject I can think of-not only because of his contributions...
...isolate Adams' contribution to the language of photography, the show at MOMA concentrates on his landscapes. (The only human artifact in the exhibit is a low stone wall in front of an early view of Yosemite Valley.) The show enables one to see Adams' early and late prints from the same negative, and the difference is interesting. The early ones are of ravishing delicacy; they have a subtlety of discrimination, a continuity of surface tone that are essentially lyric. But by middle age, Adams' work began to shift. In the darkroom, he was conducting from the negative's score?pushing...
...seeing Egyptian deity, from the top of San Francisco's 853-ft. pyramid-shaped Transamerica Building. "An artistic idea that could be comprehended on many levels," contended Stephen Goldstine, president of the San Francisco Art Institute, and an insightful way to mark the museum's King Tut exhibit...