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Word: everyday (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...reason for this is that both playgoer and actor are forced to divest themselves of casual everyday preoccupations and behavior patterns. As Grotowski puts it, he wants to demonstrate "what is behind the mask of common vision: the dialectics of human behavior. At a moment of psychic shock, a moment of terror, of mortal danger or tremendous joy, a man does not behave 'naturally.' " By attacking the whole concept of natural behavior, Grotowski divorces himself from the cult of psychological realism, as exemplified, in the Actors' Studio. The Actors' Studio idea is that the self...

Author: /time Magazine | Title: Theater: Grotowski's Seminar | 11/28/1969 | See Source »

...city governed by birds might be more comfortable than a city governed by men. But it would not be human, nor would it be great; a city is great only in its human associations, confusing as they may be. The ancient Athenians, true urbanites, delighted in the everyday drama of human encounter. For them, the city was the supreme instrument of civilization, the tool that gave men common traditions and goals, even as it encouraged their diversity and growth. "The men who dwell in the city are my teachers," said Socrates in Plato's Phaedrus, "and not the trees...

Author: /time Magazine | Title: Essay: WHAT MAKES A CITY GREAT? | 11/14/1969 | See Source »

...Lawyer, Educator, Judge, Comptroller," say Mario's campaign posters, conjuring up the image of an elderly, white-haired gent with published writings. But the real Procaccino is an everyday guy, at his best kidding with the fellows and at his worst slinging mud. His have been by far the funniest lines of the campaign-and not, as his detractors charge, malapropisms. When Mrs. Fiorello LaGuardia endorsed Lindsay, Mario came up with the observation that "There is no real conflict here: Mayor LaGuardia chose me as a public servant, he chose Marie as his wife." Procaccino also coined the only durable...

Author: By James Lardner, | Title: John Lindsay at the Crossroads | 11/3/1969 | See Source »

Joseph Cornell, in a rejection of the big, the bold, the conventionally beautiful, cultivated a secret garden of everyday artifacts. The melancholy strain resurfaces in George Segal's Gas Station and Andy Warhol's photomontage of an electric chair. Even in a painting like Barnett Newman's Anna's Light, for all the persuasive warmth in which it wraps the spectator, nothing can alter the fact that there is only emptiness on Newman's horizon...

Author: /time Magazine | Title: Art: From the Brink, Something Grand | 10/24/1969 | See Source »

...government generally; he is strongly for decentralization, through such measures as federal-state revenue sharing. He is so devoted to a free-market economy, that he has written of it with unaccustomed fervor: "By and large, it is competition-not monopoly-that has vast sweep and power in our everyday life." This viewpoint leads him to consider wage-price "guidelines" to be almost as evil as statutory controls. "Free competitive markets would virtually cease to exist in an economy that observed the guidelines," he once wrote...

Author: /time Magazine | Title: Business: NIXON'S NEW MAESTRO OF MONEY | 10/24/1969 | See Source »

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