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...would you advise someone to prepare for the role of Alan in Equus? - José Pérez, Barcelona Study the script, develop an incredibly trusting relationship with your director and just lose your inhibitions. No one's thinking about the nudity. You'd be mad if you're not worried about that - it's quite a scary thing - but you're doing a job. (Read TIME's review of Equus...

Author: /time Magazine | Title: 10 Questions for Daniel Radcliffe | 7/16/2009 | See Source »

...Vanity Fair.” During her talk, she discussed everything from the June cover of Vanity Fair, where precocious Disney Channel star Miley Cyrus posed with her back exposed, to a recent encounter with actor Daniel Radcliffe of the Harry Potter franchise and Broadway’s Equus. Radcliffe, unlike Cyrus, was prepared to bare a little more skin...

Author: By Li S. Zhou, CONTRIBUTING WRITER | Title: "At Work" with Annie | 12/3/2008 | See Source »

...Equus Harry Potter gets naked! That's the sell line for Broadway's revival of Peter Shaffer's 1973 drama, which runs through February. Happily, as the stable boy accused of mutilating horses, Daniel Radcliffe shows off not just his private parts but also his acting chops, and the play, though glib, is still a dazzler...

Author: /time Magazine | Title: Short List | 10/16/2008 | See Source »

...Does Equus hold up? It is not - never was - a great play, but it's a terrific piece of theater. On one level, it's a straightforward mystery, not whodunit but why; on another, a battle of wits between psychiatrist and patient. But it doesn't take long to ferret out Shaffer's sometimes overexplicit theme - that old chestnut about the "insane" being more authentically alive than those of us leading ordered, conformist, "normal" lives. "The boy has created out of his drab existence a passion more ferocious than any I have known in any second of my life," says...

Author: /time Magazine | Title: Broadway's Equus: Harry Potter on Horseback | 9/26/2008 | See Source »

...galloping that helps Equus rise above its didactic moments. The play's conceit is to have actors playing the horses -wearing wire masks and rising majestically on similarly constructed hoof-like platform shoes. The dance-like performances (under Thea Sharrock's solid, no-nonsense direction) are both realistic and exotic, evoking the otherworldly power of the boy's obsession. The play's glibness melts before its arresting images; the climactic re-creation of the crime is a stunning coup-de-theater. This Equus is not a bad graduation present for Harry Potter - or for his grown-up audiences...

Author: /time Magazine | Title: Broadway's Equus: Harry Potter on Horseback | 9/26/2008 | See Source »

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