Word: english
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Dates: during 1930-1939
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...Monologuist Skinner speaks English, French, German, Italian, Russian, innumerable dialects, sign language...
...outskirts and abandoned their shot-up plane at sea in a rubber boat, was returning to her patrol off Harwich when an explosion that felt on shore like an earthquake blasted her apart, killed 29 men. Another victim was the 11,063-ton refrigerator ship Sussex, damaged in the English Channel. Off one east-coast port, the British 8,886-ton freighter Mangalore was lying at anchor when a mine sank her-added evidence that at least part of Germany's attack was with illegal floaters. Further evidence in this direction was furnished when two mines bumped together...
...bitter feud with Joseph E. Johnston. Cause: a tavern keeper's daughter. Elected to the Presidency by accident (delegates preferred Toombs), he was bitterly assailed by his own colleagues. ("That scoundrel Jeff Davis," said Toombs.) A bad guesser, he made his worst guess when he tried to force English recognition by withholding cotton shipments. That notion cost the Confederacy a billion dollars, wrecked its finances...
...McCarter Theatre, Yale and Princeton must look towards their Cambridge crony with pity. Harvard still inclines to a tradition of "pure" liberal arts, devoid of much practical application. But long ago colleges realized each subject can grow only in its own medium, that to write drama for an English composition course--and yet keep it divorced from the stage--is like reading chemistry without carrying on laboratory experiments. Playwrights like Sidney Howard, Eugene O'Neill and Philip Barry thrived under Professor Baker because the workshop tested their lines through informal productions and moulded them into shape; the designers and artists...
...easily be taken. Through a composition course in playwriting, undergraduates could test their work in collaboration with the Dramatic Club and produce informally for their own practice and self-criticism. Another course, devoted to acting, might correlate all the odds and ends of drama now spread over the English Department. A third, given by the Fine Arts Department, would concentrate on design and technique for actual production. With such progress under its belt, Harvard could atone for the past, not by waiting for a financial "angel" but by announcing that the foundation for a complete School of Dramatic Arts...