Word: directors
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Dates: during 1950-1959
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...cherries in drugstores and giving English lessons to Peruvian Singer Yma Sumac. Then she got a running part in the TV version of The Goldbergs. Danger, Suspense, and other CBS shows began to use "Anne Marno," as she then called herself. Her acting reputation grew. In his files, TV Director Franklin Schaffner still keeps a card for Anne Marno with the coded notation: CDXX. Translation: can play comedy, or drama, is excellent actress...
GITTEL LIVES, wired Coe to Director Arthur Penn in Hollywood. Next day Playwright William Gibson was equally convinced. Anne was Gittel for him too. "So how was the Coast?" she greeted him. "Lousy, huh?" The Seesaw team, which had already signed Henry Fonda for the male lead, had found its real star...
...first," recalls Director Penn of the Seesaw rehearsal, "she could hardly find the stage. She couldn't stand. She couldn't turn. She'd play with her back to the audience. She was too broad and too vulgar. Even the lawyers and agents connected with the show said, 'She's no good; dump her.' " But Penn had already recognized something Anne's critics had not: she took direction admirably. "I even had to tell her where the jokes were, but once was enough." On the road Gibson would "write a funny line...
Sylvester ("Pat") Weaver, late of NBC, came to the network with credentials as program director for a West Coast radio chain, ad manager for the American Tobacco Co., and v.p. of a Madison Avenue ad agency; he was the network's president within four years, its ex-chairman three years later. When NBC's President Robert Kintner (TIME, Nov. 16) began his TV career by assuming high office at ABC, his fingers were still sore from five years as a Washington columnist. Louis George Cowan, until last week president of the CBS-TV network, seemed...
...Cannes Film Festival last May and now a candidate for an Oscar. Altogether the most charming short subject (running time: 18 minutes) in live action that the French film industry has produced since The Red Balloon (TIME, March 18, 1957), Fish swims along at a swift but graceful pace. Director Edmond Sechan tells his story clearly without words-and therefore without tiresome subtitles...