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...lose a bit of the edge that leads you to tilt at windmills. Maybe you might call that ambition. Silda used to say, 'Being right isn't the only thing.' I would get so caught up in the ambition of proving to the world we're right. You can destroy yourself that...

Author: /time Magazine | Title: Eliot Spitzer's Mission Impossible | 3/4/2010 | See Source »

...Tear in the Fabric The previous night's interview with Harold Ford still weighed on Spitzer as he hovered in the green room at Comedy Central. Was the impudent comedian likely to destroy Spitzer's chances at a second life or amplify them? Spitzer wasn't sure. One of the producers came in and sat down...

Author: /time Magazine | Title: Eliot Spitzer's Mission Impossible | 3/4/2010 | See Source »

...plane containing a deadly virus crashed in a lake near a small town; the military then takes drastic actions to contain it. Made during the Vietnam war, and just after the revelations of a My Lai massacre, the original Crazies had an unmissable Vietnam analogy: the military must destroy this village to save the country. The local folks could almost be seen as Vietnamese civilians, politicized by attacks on their village and fighting back by any means necessary. There's also the fluoridation angle, which played into suspicions, held mostly on the Right, that the Communists could poison...

Author: /time Magazine | Title: The Crazies Review: Don't Drink the Water | 2/26/2010 | See Source »

Whales like Tilikum that have gotten violent are likely to be separated from the rest of the performing troupe, kept in isolation and trained only by the most senior of staff. But the policy is generally not to destroy such animals - a policy that most trainers agree with. "I would not put any animal down," says Shawna Karrasch, who now trains horses but once worked with killer whales at SeaWorld San Diego. "People are killed riding horses, but that doesn't stop us from getting back on them." She says the trainers know the dangers they face when they enter...

Author: /time Magazine | Title: The Killer-Whale Attack at SeaWorld: How It Happened | 2/25/2010 | See Source »

...performers, then, the challenge of crafting a concert of canonical anchors like the Beethoven symphonies is to avoid easy recourse to the habit of flawless dignity. Consummate artistry involves not only the meaningful realization of a composition, but the further ability to destroy and then resurrect its grandeur—to connect with the inner greatness of the work while stripping away the pomp that surrounds it. The goal is for the audience to like it not because they are supposed to, but because they can’t help...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BSO Plays Third and Fourth, Comes Out First | 2/23/2010 | See Source »

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