Word: daughter
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Dates: during 1950-1959
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...Pather Panchali, director Satyijit Ray has recorded certain portions of the life of an Indian family over a ten year period, describing the interaction of the five important characters: the mother and father, a daughter, a young son, and an old sick aunt. Shortly after the beginning of the film, Apu, the son, becomes a central figure, the viewer of the action, the mute commentator. The first we see of him is an eye, which his sister opens with her fingers; and his eye follows the action for the rest of the film, peering over stone walls, looking out from...
...being farcical enough. Concerned with three U.S. Navy men in Venice who plot to win fortunes at roulette by using their ship's "top-secret" mechanical computer, it involves signals between harbor and hotel suite, their own admiral in the suite below, the admiral's inevitably winsome daughter, signalmen who pass out, couples who dive into canals, Venetian glass, Venetian gangsters, and phones that stop ringing only when doorbells start...
Married. Kate Roosevelt, 23, granddaughter of F.D.R., daughter of California Congressman James Roosevelt and Betsy Gushing Roosevelt Whitney, adopted daughter of John Hay Whitney, U.S. Ambassador to the Court of St. James's and publisher of the New York Herald Tribune; and William Haddad, 31, crusading, prizewinning New York Post reporter; in Manhattan...
Gradually the prison assumes the aspect of the world-a world in conspiracy to mock the prisoner's hopes and humble his humanity. The prison director's daughter, a kind of pre-Lolita of coquettish innocence, promises to lead him to freedom but never does; the jailers themselves stage an elaborate comedy only to laugh at his false hopes for escape. His past life emerges as a base and saddening farce-his bastard birth, his sluttish wife, his crippled, oafish children who are not really his. And always there is the maddening Alice-in-Wonderland logic by which...
...Glass Menagerie has nearly no plot (first the Gentleman Caller is awaited, then he is there, then he is gone); it is all futility and grief in a shabby-genteel apartment, where Amanda, a woman uprooted from her way of life, her daughter Laura, who knows nearly no one and fears everyone she does not know, and Laura's restless brother Tom, try to escape their cul-de-sac, and help one another out of it, in every way they can. Uniquely, perhaps, among Tennessee Williams' major works, this one has no dominating masculine figure to bring...