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Word: darkness (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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...That is why we must promote our values by living them at home - which is why I have prohibited torture and will close the prison at Guantánamo Bay. And we must make it clear to every man, woman and child around the world who lives under the dark cloud of tyranny that America will speak out on behalf of their human rights and tend to the light of freedom, and justice, and opportunity, and respect for the dignity of all peoples. That is who we are. That is the moral source of America's authority...

Author: /time Magazine | Title: Full Transcript of Obama's Speech | 12/1/2009 | See Source »

...George Brandt, behavioral-health chief at the base hospital, a cure means "being able to get on the floor and play with your kids. Then you know you're home." For Waddell, it may take longer. He says, "Even though Marshéle and I are still in a dark valley, we haven't built our house here. We're just passing through...

Author: /time Magazine | Title: How One Army Town Copes with Posttraumatic Stress | 11/30/2009 | See Source »

...plot structure of the noirish Live Flesh: the toxic romantic geometry of a triangle love story. In the world of telenovela melodrama that has long appealed to Almodóvar, jealousy must be twisted into violence at the top of a winding staircase, while lust collides with a dark fate on a highway with one too many cars...

Author: /time Magazine | Title: Broken Embraces: Death Becomes Almodóvar and Cruz | 11/30/2009 | See Source »

Director John Hillcoat and actor Viggo Mortensen have both made their names with dark, gritty films: Hillcoat with Nick Cave-scripted Western “The Proposition,” Mortensen with a pair of David Cronenberg thrillers, “A History of Violence” and “Eastern Promises.” It is tempting, then, to suggest that with “The Road,” a bleak, post-apocalyptic travelogue, both men are sticking to what they know...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: The Road | 11/30/2009 | See Source »

Such a generalization, however, would be misleading. Though “The Road”—adapted from the Pulitzer-Prize winning novel by Cormac McCarthy—fits comfortably into a dark and atmospheric genre of post-disaster film that has recently included such uninspired schlock as “I Am Legend,” it is also quite unlike the films that have preceded it, including Mortensen and Hillcoat’s previous efforts. Eschewing narrative conventions, at least to the extent that big-budget Oscar bait can afford...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: The Road | 11/30/2009 | See Source »

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