Word: dancers
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...architecture is frozen music, as Goethe aphorized, then jazz is Art Deco on ice. France adored that American musical invention and especially Josephine Baker, the black American singer and dancer who electrified the Paris jazz scene in the 1920s. Her sleek, exotic beauty is on display in Art Deco - influenced posters, paintings, advertisements and fabrics, plus a film loop of her doing an athletic shimmy...
...seems like there's a pattern of ambivalence because so many women were raised with this idea that they could either be an astronaut or a ballet dancer or a mom; whereas I think that men were never sent a conflicting message. So I think that women [who] grew up as the children of baby boomers - certainly, from that generation on - felt they had a lot of options, and one of the options was not to work. I think that's why so many women who wanted to make their own way in the world and did so very successfully...
...boyfriends have to be mutually exclusive? 4. ‘Take on Me’ by a-ha (Literal Video Version) Pipe wrench fights are sketchy. Literally. 3. ‘If I Were a Boy’ by Beyoncé Then I could be my own backup dancer in “Single Ladies.” 2. ‘Kylie’ by Akcent Baby I’m the coolest guy in the crowd... you know, the one with the date rape drugs? 1. ‘Single Ladies’ by Beyoncé Beyonc?...
Harvard students aren’t really known for dancing. And dancers aren’t really known for physics. Except for one: Merritt A. Moore ’10. This year, Moore took a year off from Einstein and relativity to focus on a different kind of motion: ballet. Currently on the Swiss stage with the Zurich Ballet Company, the physics concentrator began dancing at the age of 13 in Southern California. She practiced ballet throughout high school and performed with the Harvard Ballet Company on campus. Moore’s partner in many HBC dances has been Kevin...
...hovers above a white, horizontal canvas. Her hands are covered with blue gloves and paint, and her feet are smeared with charcoal; her whole body is employed in drawing as she moves on all fours. The Remis Auditorium at the Museum of Fine Arts falls silent as the contemporary dancer stops talking about her choreography for the opera “Carmen” and turns towards the image of herself defying countless classical definitions of visual art and dance. “I nabbed the gloves from intensive care at Fort Myers hospital,” she told...