Word: dancers
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Dates: during 2000-2009
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...boyfriends have to be mutually exclusive? 4. ‘Take on Me’ by a-ha (Literal Video Version) Pipe wrench fights are sketchy. Literally. 3. ‘If I Were a Boy’ by Beyoncé Then I could be my own backup dancer in “Single Ladies.” 2. ‘Kylie’ by Akcent Baby I’m the coolest guy in the crowd... you know, the one with the date rape drugs? 1. ‘Single Ladies’ by Beyoncé Beyonc?...
Harvard students aren’t really known for dancing. And dancers aren’t really known for physics. Except for one: Merritt A. Moore ’10. This year, Moore took a year off from Einstein and relativity to focus on a different kind of motion: ballet. Currently on the Swiss stage with the Zurich Ballet Company, the physics concentrator began dancing at the age of 13 in Southern California. She practiced ballet throughout high school and performed with the Harvard Ballet Company on campus. Moore’s partner in many HBC dances has been Kevin...
...over the summer. “It makes me happy that I’m getting to collaborate outside of the musical world.” Koch and Mendez’s “Rêves/Cauchemars” explores the interaction between the musicians and the dancers. “I find watching musicians’ play to be very interesting movement,” Koch says. “I was interested in blurring the lines between where the music starts and where the dance starts.” To highlight the interplay between them, Koch...
...Paul Gauguin himself, who is known for his attempt to escape European civilization in search a pre-civilization good life in Tahiti. There is the sadly romantic story of the dwarfen Henri Toulouse-Lautrec, who would frequent the Moulin Rouge to pine after the beautiful, tall dancer Jane Avril.But Daniel Kehlmann, the author of the novel, “Me & Kaminski,” disputes whether one can reduce an artist’s life to such stories. Kehlmann embarks on an ambitious project to chronicle the process of creating a new iconic figure for the 21st century, ultimately finding...
...hovers above a white, horizontal canvas. Her hands are covered with blue gloves and paint, and her feet are smeared with charcoal; her whole body is employed in drawing as she moves on all fours. The Remis Auditorium at the Museum of Fine Arts falls silent as the contemporary dancer stops talking about her choreography for the opera “Carmen” and turns towards the image of herself defying countless classical definitions of visual art and dance. “I nabbed the gloves from intensive care at Fort Myers hospital,” she told...