Word: criticized
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Dates: during 1980-1989
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...Olivier to all who fell under the glamorous spell he wove. More immediately and lastingly than any other modern actor, Olivier picked words off the playscript page, flung them passionately into the dark and secured them in the minds of theatergoers. Brilliance, for once, had its rewards. As critic Kenneth Tynan proclaimed in 1966, "Laurence Olivier at his best is what everyone has always meant by the phrase 'a great actor.' " Director, producer, prime mover of Britain's National Theater, embodier of the most vital Shakespearean heroes, Olivier at his death last week at 82 held undisputed claim...
...Henry IV, Part I, he was the stuttering, heroic Hotspur; in Part II, the cagey-senile Justice Shallow. The curtain would fall on his Oedipus, with its searing scream of self-revelation; after intermission he would mince on as Mr. Puff, the giddy paragraphist of Sheridan's The Critic. It was all part of a 70-year striptease in which this consummate quick-change artist always had one more veil to remove, and proof of what director Peter Glenville called Olivier's "greed for achievement...
...reclusive author, Aikman drove to Solzhenitsyn's home in Cavendish, Vt. "Solzhenitsyn's somewhat forbidding reputation as a stern social critic," says Aikman, "had not prepared me for the gracious host who bounded out of the house to greet me." The author's wife Natalya and their son Stepan, 15, listened in as Aikman conducted the 2 1/2-hour interview in Russian. When it was over, Aikman was invited to share an informal family lunch: Russian blinchiki (crepes stuffed with ground beef) prepared by Natalya...
...publication aimed at dispelling that confusion. Called ENTERTAINMENT WEEKLY, it will cast an informative cultural net over the most notable new offerings in the realms of movies, television, videocassettes, recorded music and books, all reviewed and rated (from A to F) by the magazine's own critics as well as by guest reviewers. The new publication will also include articles on entertainment and culture, but it will concentrate on the fundamentals rather than on personalities, thus avoiding conflicts with the company's highly successful PEOPLE magazine. ENTERTAINMENT WEEKLY, says Editor in Chief Jason McManus, "deals with products, not personalities." According...
...American poetry for The New Yorker. And Robert Brustein, who teaches some undergraduate drama courses, is the founder and director of the American Repertory Theater, one of the nation's most successful regional theatres. Brustein, who came to Harvard from the Yale Repertory Theater, is also a noted drama critic and writes a bi-weekly theater column for The New Republic...