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...rebalance the journalist’s role as societal critic is to simplify our forms of communication. For example, does an online newspaper really have to have blogs on it? While, on one hand, blogs are a feature that differentiate online newspapers from their print form, the medium of the internet is already significantly different: thanks to links, I can read through much more content online than I could in print. I don’t need tools that merely summarize the paper or serve as as an outlet for user-generated content; for the latter, I can just read...

Author: By Alina Voronov | Title: The Dead Writer's Society | 2/24/2010 | See Source »

...Domestic Violence”)—“kind of the godfather of cinéma vérité,” in the words of Horovitz—and Errol Morris (“The Fog of War”), compared by critic Roger Ebert to Alfred Hitchcock and Federico Fellini. The high concentration of filmmakers in the area is due in part to the number of colleges and universities, many with strong film programs, located in the Boston area...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

TIME's TV critic, the incomparable James Poniewozik, has been on vacation and didn't review the last two episodes of Big Love, so I've been entrusted with analyzing what's been happening lately on the HBO series about the fundamentalist Mormon with his very extended family. You should have seen the Feb. 7 and 14 hours before reading this. Jim will return to blog on tonight's episode...

Author: /time Magazine | Title: Big Love: Shark-Jumping in Utah | 2/21/2010 | See Source »

...method-acting guru Lee Strasberg or Stanislavski disciple Stella Adler to give actors tools and techniques. It had its roots in drawing-room melodramas and classical literature, including an ancient text, the Natyashastra, devoted to the theory of drama. "It even tells you where in the audience a critic should sit," Khan says. "But you cannot learn acting from that." So he immersed himself in the films of Scorsese, Costa-Gavras and Bergman, and watched Robert De Niro, Dustin Hoffman and Marlon Brando over and over, trying to work out for himself how they do what they do. (See best...

Author: /time Magazine | Title: Keeping It Real | 2/15/2010 | See Source »

...escapades guaranteed to titillate rural masses with increasingly outlandish plots, tawdry lovemaking scenes and bombshell heroines. Distributors would literally call the shots, sitting in on previews with directors and saying, "Let's add a song sequence here, let's have a rape scene here," explains Shubhra Gupta, a film critic in New Delhi. But Khan chose his Bollywood work carefully, waiting for the occasional good story or compelling role. "Irrfan stayed and fought and created his own path," Sharma says. (See the 10 Indian films to Treasure...

Author: /time Magazine | Title: Keeping It Real | 2/15/2010 | See Source »

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