Word: criticism
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Dates: during 1940-1949
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...FORTUNE, Journalist Davenport, an able reporter, analyst and critic of many phases of the U.S. and world economy, did corporation stories and FORTUNE'S monthly Business Roundup, conducted a column (Books & Ideas), wrote editorials and such notable politico-economic articles as "Socialism by Default," an analysis of the U.S. drift toward collectivism. He was also coauthor, with LIFE's Charles J. V. Murphy in 1945, of The Lives of Winston Churchill, and helped edit and summarize conclusions of the first Harriman report on Europe (TIME, Nov. 17, 1947) and the Hoover commission reports...
Wrote hard-to-please Critic William Whitebait in the New Statesman and Nation: "What sort of music it is, whether jaunty or sad, fierce or provoking, it would be hard to reckon; but under its enthrallment, the camera comes into play . . . The unseen zither-player ... is made to employ his instrument much as the Homeric bard did his lyre." Said Alan Dent in the Illustrated London News: "The real hero I should call the unseen zither-player...
...science, natural science, and humanities, as well as a growing menu of electives, e.g., oral communication, Hebrew, a survey of style and structure in music. To teach his courses, President Sachar has assembled a faculty of 30 this year (up from 14 in 1948), including such lights as Novelist-Critic Ludwig Lewisohn and column-writing Political Scientist Max Lerner. Says Sachar: "We want to make certain of having some star in each area. I tell students, 'Don't take courses-take people...
Died. Alexander Harvey, 80, Brussels-born onetime reporter (the old New York Evening Telegram), an editor on the New York Herald, and the Literary Digest, critic (William Dean Howells) and essayist; in Dumont...
...Avenue gallery last week hung the second Manhattan exhibition of contemporary Haitian art. Done by houseboys, chauffeurs and voodoo drummers in their spare time, the paintings were as uninhibited as they were crude. Their bright automobile-enamel colors and outlandish but occasionally forceful draftsmanship looked good to many a critic, for they made a pleasant and refreshing contrast with the alfalfa-dry fare ground out by most professional moderns. "These fellows," said one enthusiastic gallerygoer, "paint as a cock crows...