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...proposal has prompted hesitation among some SEAS faculty and course TFs due to concerns that the new grading scheme may be incompatible with course credit policies and may weaken the academic rigor of the class, which drew more than 300 students when it was offered last fall...

Author: By Gautam S. Kumar and Evan T. R. Rosenman, CRIMSON STAFF WRITERS | Title: SEAS Faculty Hesitate to Approve CS50 Grading Change | 4/20/2010 | See Source »

SEAS Associate Dean for Academic Programs Robert D. Howe stressed that some professors were especially concerned that students concentrating in engineering or applied mathematics typically take CS50 for concentration credit. In order for the course to count for an engineering or applied math requirement, it must be taken for a grade, which would potentially force these students to be among a small minority of graded students in a primarily sat/unsat class...

Author: By Gautam S. Kumar and Evan T. R. Rosenman, CRIMSON STAFF WRITERS | Title: SEAS Faculty Hesitate to Approve CS50 Grading Change | 4/20/2010 | See Source »

...nothing else, the practice of resurrecting films like this poses some interesting theoretical questions about authorship: who deserves credit for a successfully resurrected film like “Heaven?” How can we discuss films like this in terms of artistic intent? But as compelling as unfinished works are as case studies, they often amount to significant violence upon a filmmaker’s oeuvre. Instead of being remembered as prolific, successful, and complete, Kubrick’s career will seem to trail off, leaving behind a collection of troubling uncertainties that will hover over his work long...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

...It’s] not the story. It’s just this breathtaking world—that’s the point.” If these are the foundations of Shields’ manifesto, has all of this not been said before? Can Shields be given credit for tracking the development of a “new” art form that, considering the work of artists as diverse as Virginia Woolf and Samuel Beckett—both of whom Shields references extensively throughout his book—can be said to have developed along with the rise...

Author: By James K. Mcauley, CRIMSON STAFF WRITER | Title: Shield's Modernist Manifesto Arrives a Few Decades Too Late | 4/20/2010 | See Source »

...consistent and perfectly acceptable tracks. Nothing in particular stood out, and the only moment when the crowd truly became engaged was when CEB members rather disrespectfully started throwing out T-shirts in the middle of “Here We Are.” To his credit, Park played professionally and displayed a relaxed charm in his banter...

Author: By Chris R. Kingston and Alex C. Nunnelly, CRIMSON STAFF WRITERS | Title: Day or Nite, Yardfest Does Not Entertain | 4/20/2010 | See Source »

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