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...wanted to make a first-class Vietnam War film. But by then, a second wave of Vietnam movies was in full swing (Full Metal Jacket and Good Morning, Vietnam came out in 1987), and he couldn't see how to deal with the subject more skillfully than Francis Ford Coppola had in Apocalypse Now or Oliver Stone had in Platoon - or more thoroughly than in PBS's 11-hour 1983 documentary history. In 1994, however, Hanks brought to the screen the impact of Vietnam on his generation in the tragicomic Forrest Gump. While the role earned him an Academy Award...

Author: /time Magazine | Title: How Tom Hanks Became America's Historian in Chief | 3/6/2010 | See Source »

...norm, from the Bela Lugosi Dracula in 1931 to today's Twilight saga. But there's another view of the tradition, an alterna-vamp, that begins with the first important horror movie, F.W. Murnau's Nosferatu, and was touched on in Kathryn Bigelow's Near Dark and the Francis Coppola Dracula. It's the vampire as pure predator, a gaunt, subhuman pestilence, the ultimate parasite whose host is the rest of us. Nothing sexy about these creatures, or their act of feasting on our blood. They walk and talk like real people, but they're vermin: rats who drive humanity...

Author: /time Magazine | Title: Daybreakers: And Now, Junkie Vampires! | 1/11/2010 | See Source »

...Blending plot elements of Double Indemnity and Natural Born Killers with the ripe sensuality of Francis Coppola's take on Dracula, the film should make audiences sit up in startled pleasure, as if they'd just received the most luscious neck-bite. So take a break from the summer's zombified blockbusters and surrender to the crimson ecstasy of Thirst...

Author: /time Magazine | Title: Thirst: Why Vampires Beat Zombies | 7/31/2009 | See Source »

...Reading your stories, I was reminded of the problems Francis Ford Coppola faced with Apocalypse Now. You say at one point in the book that you were flat broke and that you traded two bottles of shampoo for four kilos of rice. Is that the low point...

Author: /time Magazine | Title: Werner Herzog | 7/6/2009 | See Source »

...distinction between Apocalypse Now and my film is that Coppola always resolved films with ready cash. There was always a lot of money flowing around. In my case, because I had to produce the film myself, I was down to the utmost limit. So I lived in a chicken coop and had nothing to eat anymore. But I remembered from Miami I had two bottles of shampoo - well, one was shampoo and the other was conditioner - and I traded it at the local market for four kilos of rice, and I ate rice for three or four weeks. That...

Author: /time Magazine | Title: Werner Herzog | 7/6/2009 | See Source »

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