Word: cooperatives
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Dates: during 1960-1969
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None of the bodies moved. Paul Cooper, the boy sitting down, got up and walked silently over to the door. "Please leave," he said, "We're having a rehearsal." The door closed; and then from outside it could be heard a loud wave of giggles. One of the boys lying on the floor moved slightly. "Jesus," he said. He started to laugh, and the rest of the people on the floor joined...
Formally, under Cooper's direction, the cast was "warming up." At each rehearsal the warm-up takes a different shape; each time, different members of the cast (and sometimes Cooper) lead them. Warm-ups begin with a lot of jumping up and down, a lot of shouting, and a lot of grunting. Slowly, and not surrpisingly, the actors get tired. And with their systems exhausted by jumping shouting and granting, they lie down. That much is very easy -- it's a way of ridding yourself of a lot of minor annoyances that build up in your mind and your body...
Once they are on the floor, however, a different process begins: it is known as "finding your center." "Just relax and find your center," Cooper would say over and over. For most people, the center -- quite literally the center -- lies just below the abdomen, in the direction of the sex. If you're lying on your back, tired out and relaxed, it doesn't take too long to find...
...does ABM enter into that equation? Again, there is wide disagreement. Says Kentucky Senator John Sherman Cooper: "This is a moment when negotiations are possible, a moment that should not be lost." George Rathjens, a former disarmament agency official now at M.I.T., argues that the simultaneous deployment of ABMs and MIRVs would destabilize the present equation by increasing the temptation to make a first, or preemptive, strike. The Administration has argued that the ABM could be a bargaining counter with the Soviets. "We must have both offensive and defensive missiles...
...began when Patricia Pilz '71 was designing lights for Gypsy--and six days before opening had no set to light. She called up light man Al Symonds '68, of Bwana Bus and Lighting for help. He'd worked with Paul cooper '69 and a few other standbys from Dunster House, like Randy Darwall. The next day a sign appeared in the Dunster dining room, "Pat's up shit creek. Come and help...