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...teach automakers how to build strong engine blocks. The men spoke derisively and arrogantly about Japanese auto quality. I remembered those comments later as Toyota was hailed as great and GM denounced as mediocre. The lesson I learned: Do not ever be satisfied with the status quo. It takes constant effort to maintain quality and reputation. Marvin Rubin, ALBUQUERQUE...

Author: /time Magazine | Title: Toyota's Troubles | 3/15/2010 | See Source »

...prohibits the entry of crucial humanitarian supplies, helps “break Gaza’s runaway population growth and there is some evidence that they have.” He suggests that this phenomenon “may begin to crack the culture of martyrdom, which demands a constant supply of superfluous young men.” Mr. Kramer’s public call to halt food, medicine, and humanitarian aid—which he calls “pro-natal subsidies”—would read as a cruel joke if it did not so egregiously...

Author: By John F. Bowman, Maryam Monalisa Gharavi, and Abdelnasser A. Rashid | Title: On Kramer’s Statements | 3/11/2010 | See Source »

Avigail Eshet is a spirited eight-year-old that Finley helps care for in her spare time. However, this is not your average babysitting job—Avigail was born with severe familial dysautonomia and requires constant supervision to prevent a medical crisis...

Author: By Alexandra J. Mihalek, CRIMSON STAFF WRITER | Title: Coach Helps Kid, Finds New Home | 3/11/2010 | See Source »

...destroyer U.S.S. Curtis Wilbur in 1997, as the executive officer (XO), or second in command. Kirk Benson, who retired from the Navy as a commander after a 20-year career, says his tour aboard the Curtis Wilbur with Graf was "the worst time in my life." Her constant berating of the crew led him to complain, he says, but nothing was done. "When I think of Holly Graf, even 12 years later, I shake," says Benson. "It was hard to imagine her as an XO, never mind getting command of two ships...

Author: /time Magazine | Title: Sexism and the Navy's Female Captain Bligh | 3/11/2010 | See Source »

Divided by class, culture, and aspirations, the four are engaged in a constant struggle of wills, mercilessly manipulating each other for personal gain. “This isn’t a family,” Clive declares in one of the play’s more melodramatic moments, “it’s a tribe of wild cannibals. We eat everything we can.” The arrival of Walter—a young German tutor who embodies the tormented intellectual that Clive aspires to be and the cultivated manner Louise values so highly—urges...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: 'Finger' Exercises Dramatic Control | 3/9/2010 | See Source »

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