Word: consciously
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Dates: during 2000-2009
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...opening poem in Will Alexander’s new collection of poetic monologues. It is not a propitious start: the combined effect of “de-existence” and “post-exist” in this context is one of self-conscious jargonizing. “Ark” is one of five shorter poems that serve in this context as an introduction to the title poem, which at some 70 pages could be described as an attempt to resurrect the genre of the poetic epic. The shorter works are slight and awkward; Alexander?...
Lingering in the unconscious can thus produce unique and seemingly illogical thoughts, but it takes an artist’s trained, and sometimes tripped-out, mind to grasp the images produced there and recreate them on the conscious level...
...something else, many artists on campus use drugs—mostly alcohol and marijuana—as a means to find their way out of here, and to some extent, to find a way out of their own minds. Lighting a bong or hitting the bottle, these students use conscious-altering substances to lubricate the transition from thought to work, a process possible when sober but sometimes easier while not. Some use the activity as a communal starting point, gathering around campus to drink or smoke before setting off to work. At other times, they sit alone with a bottle...
...with the Surrealists in wartime exile in New York City, especially Andr Breton and Roberto Matta. Gorky had been borrowing Surrealist imagery for years, and he flourished in their company. It was through Matta that he renewed his interest in the Surrealist notion of automatism, a means of relinquishing conscious control of the hand to let it discover images that flowed from the unconscious. With that, some key turned inside him, allowing him to translate impressions of nature and the body and childhood memories of Armenia into an abstract language of longing and release. (See TIME's photo-essay...
...first person, I had smothered myself and made myself invisible, had made it impossible for me to find the thing I was looking for. I needed to separate myself from myself.” Walker’s literary distance—within the context of these self-conscious sections—helps him look for himself in darkly tinged sexuality and self-revelation...