Word: connor
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Dates: during 1950-1959
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...discreetly, or pungently, provocatively, rudely and even brutally. We may not tell a defamatory lie about anyone." With that charge, the jury in a London court last week retired to consider the libel suit of Pianist Wladziu Valentino Liberace against the London Daily Mirror and its columnist "Cassandra," William Connor (TIME, June 22). Three hours and 22 minutes later, the jurors were back with their verdict, eleven of them wearing the traditional stolid stare. But the twelfth -Mrs. Jean Friend, a grey-haired, 49-year-old widow-could not keep the delicious secret. She winked at Liberace. All over...
Indeed he had. The jury found that the choleric Cassandra had libeled Liberace in a September 1956 column strongly implying that the pianist was homosexual ("the pinnacle of Masculine, Feminine and Neuter"). It awarded damages of ?8,000 ($22,400) against Connor and the Mirror. Both filed notice of appeal...
...tremendously thrilled with our verdict. I was bubbling over with it." Then she called Liberace's room at the Savoy. But the pianist had left to play before a packed house at the Chiswick Empire. When a woman there shouted: "Let's have one for Mr. Connor!", Liberace turned to the keyboard and rippled out Jealousy...
...sculpture exhibit was invitational rather than competitive. Here the quality was generally high. Most of the sculptors had two works apiece. I particularly admired Kahlil Gibran's "Pieta," Peter Grippe's "King Minos Number 2," Liliam Saarinen's "Portrait of an Author" (whom I took to be Edwin O'Connor, author of the novel The Last Hurrah), and the items by Henry Kreis and Robert Lamb. Donald Stoltenberg's so-so "Shipyard Cranes" won the $500 Invitational Award for Sculpture or Painting; and Gilbert Franklin's appealing "Beach Figure" captured the Festival's $1000 Grand Prize...
...sobersided Times. Basking in the limelight, Liberace, who first came to court in an uncharacteristically quiet blue suit, changed to a costume featuring an exuberant bronze Shantung suit, gold-buckled crocodile shoes and piano-shaped diamond and onyx cuff links. These devices stole the show from Defendant Connor, grumpily denying he meant any serious harm: the columns were only "fair comment" on the "biggest sentimental vomit of all time," the fruity allusions just "part of the impression of confectionery which Mr. Liberace conveyed to me-oversweetened. overflavored, overluscious, and just sickening...