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...twenty-first century audience. “Patience, or Bunthorne’s Bride,” which ran at the Agassiz Theatre April 3-12, was an ambitious project, but the Players, under director David S. Jewett ’08, engaged the audience from the moment the conductor invited them to rise and join him in singing “God Save the Queen.” The Agassiz provided intimacy without sacrificing any of the elegance of the production, a late Victorian spoof on the aesthetic movement. The show opens with 20 maidens lamenting their unrequited love...

Author: NO WRITER ATTRIBUTED | Title: Parody Requires ‘Patience’ | 4/14/2008 | See Source »

...It’s also hairy.” Live music is less reliable than recorded. It brings with it more risk of variation, an added concern that, Bergmann says, puts the dancers “on their toes.”Mark Olson, director and conductor of The Harvard Wind Ensemble, saw similar difficulties and benefits in the collaboration, which was first proposed by Bergmann. “[The dancers] are following me,” Olson explained, “but I’m also following them.” The collaboration, with its call for increased...

Author: By Sasha F. Klein, CONTRIBUTING WRITER | Title: Winds Keep Dancer on Their Toes | 4/11/2008 | See Source »

...Pavarotti's great career therefore ended with a virtual performance, something sad but inevitable.' LEONE MAGIERA, Luciano Pavarotti's longtime pianist and conductor, revealing that the opera singer lip-synched his final public performance at the opening of the 2006 Winter Olympics Numbers

Author: /time Magazine | Title: Verbatim | 4/10/2008 | See Source »

...Pavarotti's great career therefore ended with a virtual performance, something sad but inevitable.' LEONE MAGIERA, right, Luciano Pavarotti's longtime pianist and conductor, revealing that the opera singer lip-synched his final public performance at the opening of the 2006 Winter Olympics...

Author: /time Magazine | Title: Verbatim | 4/10/2008 | See Source »

...outside of Harvard, were integral to the development of the script, which emerged from a series of improvised scenes. “It’s something that I’m really interested in,” Miller says, “pursuing the role of director as conductor, and how you work with an ensemble to create an original piece.” The collaborative aspect of the work also necessarily extended to the production of the multimedia presentation. Utilizing a staff of students and alumni and a sizable budget from the VES department, the production attempts...

Author: By Amanda C. Lynch, CONTRIBUTING WRITER | Title: Accessible 'Faust' Logs In | 4/3/2008 | See Source »

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