Word: conductor
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Dates: during 1940-1949
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...Tell me, zebra," said the conductor, "are you a black animal with white stripes or a white animal with black stripes...
...Boston Symphony President Henry B. Cabot and his 14 fellow trustees had been "keeping our eyes open for conductors for a long time." Boston proceeded "on the strange assumption," says blunt, silver-spectacled Harry Cabot, "that they were all available." The man they were seeking would be "the boss" in every sense of the word: in programing, choice of soloists and guest conductors. The Boston's trustees could promise this because they still follow the enviable first principles laid down by the orchestra's founder, Major Henry Lee Higginson: relationship of orchestra to conductor-absolute obedience; relationship...
Kindly, 58-year-old Alsatian-born Conductor Munch no longer really had to tell his musicians to relax. In eleven weeks as their first new conductor in 25 years, his musicians were freer of tension than they had been for years. In his first speech to them he had vowed, in his painful English, to do his best to maintain the high standards of the Boston. He also hoped "there will be joy." Forthwith, friendly "Charry" Munch (pronounced Moonsh) won their respect as a musician, and their love and obedience as a man. This week, as he rehearsed...
...name of Munch was not big in U.S. music. He had visited for the first time in the 1946-47 season, to be guest conductor in Boston, New York, Chicago and Los Angeles; in 1948 he had conducted the French National (Radio) Orchestra on its U.S. tour. Although he had won respectful notices from critics, his name had seldom appeared in the calculations of the pundits and prophets who wanted to call the tune on Boston's new conductor. From the time 75-year-old Conductor Serge Koussevitzky announced that he would abdicate...
...Minneapolis audience welcomed the piece wholeheartedly, from the poignantly elegiac first movement to the brilliant and stirring folk dance at the end. Wrote Tribune Critic Norman Houk: "The Bartok concerto was a major success ... It was given an alert, keyed-up performance by a soloist, orchestra and conductor who had been working on the complex score for a strenuous week . . . A permanent and important addition to the viola repertory...