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...first piano concerto. Especially striking during the second movement, Tam’s phrasing evoked a tender fragility that lingered in the theater even with the swell of the orchestra behind him. Tam’s artistry in no way overshadowed his technique during this notably difficult concerto??he presented strength and articulation in the intricate fast passages of the third movement until the concerto??s robust conclusion...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: HRO Pays Tribute to Kirchner | 3/9/2010 | See Source »

...accents and staccatos lacked the caustic bite that keeps listeners on edge. He never foraged deep enough into the keyboard to make Grieg’s melodies soar, though the orchestra, which finally reached a fully blended volume near the coda, did manage to salvage the concerto??s explosive conclusion.After Friere’s encore rendition of Gluck’s “Dance of the Blessed Spirits,” which was just as tame as the main performance itself, Sung led the orchestra in the 1945 version of Aaron Copland?...

Author: By Monica S. Liu, CONTRIBUTING WRITER | Title: BSO Strikes Out Under Sung | 4/26/2009 | See Source »

Koh’s visit to North Korea marked the first performance of a piece by Isang Yun, a Korean-German composer, by a joint group of North and South Korean musicians, and the first performance of Yun’s signature work—his cello concerto??in North Korea...

Author: By Bonnie J. Kavoussi, CRIMSON STAFF WRITER | Title: Koh Entertains in North Korea | 10/21/2008 | See Source »

...Koh’s performance made Dvorak’s “Concerto??—and Friday’s concert—a hard act to follow. Through Koh and the rest of the orchestra, the audience traveled along a wide spectrum of emotion ranging from ecstasy to grief. It was an incredible journey for both the performers and the listeners. —Crimson reviewer Victoria D. Sung can be reached at vsung@fas.harvard.edu...

Author: By Victoria D. Sung, CRIMSON STAFF WRITER | Title: Koh Is a Standout In HRO Concert | 12/3/2007 | See Source »

...grand classical concerto,” whatever that means. It opens up with a riff that sounds like something straight out of a Psychedelic Furs song and then the high-pitched harmonies of the band bounce in. Even the transition into part two of the “concerto??—a mere 90 seconds into the song—can’t ruin the pop bliss that came before. In fact, despite all of The Apples in Stereo’s attempts to make the album brainy and conceptual, the result is something that constantly...

Author: By Kimberly E. Gittleson, CRIMSON STAFF WRITER | Title: The Apples In Stereo, "New Magnetic Wonder" (Simian Records/Elephant 6/Yep Roc Records) - 3 stars | 2/8/2007 | See Source »

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