Word: conceits
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...difficulty of sustaining the conceit that this endpaper is being written by two different people at the same time: Very hard...
COWBOY BEBOP. This anime entertainment from Japan has marked time alongside The Powerpuff Girls on the Cartoon Network, but otherwise the two series don’t have much in common. Cowboy Bebop’s celluloid incarnation avoids Powerpuff’s sugar-and-spice conceit in favor of a complex plot involving Martians, killer macadamia nuts and pharmaceutical corporations. The film borrows copiously from a range of niche genres—action, romance, western and sci-fi, among others. It’s a shame that it isn’t a musical, too (“Bebop?...
COWBOY BEBOP. This anime entertainment from Japan has marked time alongside The Powerpuff Girls on the Cartoon Network, but otherwise the two series don’t have much in common. Cowboy Bebop’s celluloid incarnation avoids Powerpuff’s sugar-and-spice conceit in favor of a complex plot involving Martians, killer Macadamia nuts and pharmaceutical corporations. The film borrows copiously from a range of niche genres—action, romance, western and sci-fi, among others. It’s a shame that it isn’t a musical, too (“Bebop?...
COWBOY BEBOP. This anime entertainment from Japan has marked time alongside The Powerpuff Girls on the Cartoon Network, but otherwise the two series don’t have much in common. Cowboy Bebop’s celluloid incarnation avoids Powerpuff’s sugar-and-spice conceit in favor of a complex plot involving Martians, killer Macadamia nuts and pharmaceutical corporations. The film borrows copiously from a range of niche genres—action, romance, western and sci-fi, among others. It’s a shame that it isn’t a musical, too (“Bebop?...
CATCH ME IF YOU CAN. Steven Spielberg takes a breather from sci-fi/adventure romps and historical morality plays to dust off his moribund ‘lost boy’ conceit, reigniting it to power this breezy, rambling 1960s-set caper. Leonardo DiCaprio spends the movie perpetrating a richly entertaining string of identity cons and check fraud that Spielberg tempers with rather obvious meditations on the state of the nuclear family. Amidst the mischief and philosophizing, Tom Hanks, as the dry, wry FBI man tailing DiCaprio, ends up stealing the movie by internalizing his ‘decent everyman?...