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...painter of the Worcester portrait was long thought to be Francois Clouet and his subject Diane de Poitiers, the beautiful mistress of France's Henry II. But after the painting was seen in 1904 at an exhibition of French art, critics reluctantly concluded that the style was not Clouet and that the lady did not look like Diane. Most recently, a Paris scholar claimed that the lady resembled Mary Stuart, Queen of Scots. Director Rich calls that opinion "moonshine" and "absurd." His thesis: "All three paintings go back to a lost original, perhaps by Clouet...

Author: /time Magazine | Title: Painting: Whodunits | 9/6/1968 | See Source »

...exhibition stresses the work of Prud'hon, Ingres, Gericault, Chasseriau, Millet, Degas, and Toulouse-Lautrec. It also includes a portrait of Marie Stuart by Jean de Court and portraits by Francois Clouet which have been lent to the Museum...

Author: NO WRITER ATTRIBUTED | Title: French Art Presented In New Exhibit at Fogg | 4/10/1953 | See Source »

Organized by the French Government and circulated by the Smithsonian Institute, the exhibit includes works by such French artists as Clouet, Poussin, Degas, Fragonard, and Claude...

Author: NO WRITER ATTRIBUTED | Title: Fogg Art Museum to Show Important French Drawings | 2/24/1953 | See Source »

Painted on a 15-by-20-inch panel, the picture was almost surely the work of the great 15th Century Flemish master, Jean Clouet the Elder. Last week it had been identified by no less an authority than Maurice Goldblatt, director of the Notre Dame University art galleries, who first rescued Clouet from obscurity (his paintings were long known only as the work of "the Master of Moulins"), has since ascribed 20 other paintings to him. Chicago Lawyer Bailey Stanton, who picked up the picture on Goldblatt's advice, might well turn a $100,000 profit on his purchase...

Author: /time Magazine | Title: Art: 15th Century Bargain | 12/19/1949 | See Source »

...which sometimes starts more enduring fashions than Treasure Hunts: the intelligent mastery and transforming use of a great past style. In this case it was the so-called "archaic" coolness and clarity of form of 16th-century French painting, after the great portraitist, François Clouet. The line in Artist Guevara's pictures seems almost engraved; her forms are firmly rounded, spick-&-span, in cool, grey-blue space. Most impressive: the Seated Young Woman (see cut), plump and brown in a red skirt and an airy room...

Author: /time Magazine | Title: Art: Modern Archaist | 4/24/1939 | See Source »

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