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Without question, through, the show's big winner was Bart St. Clair '93, who played Private Fifi Fifofum. St. Clair was hilarious, despite the fact that he was a last-minute replacement for a laryngitis-stricken David Travis '95 and only received the script the day before the first performance...

Author: By Stephen E. Frank, | Title: Cross-Dressing With Boris | 2/22/1995 | See Source »

...Eventually he returned to the stage, sheepishly informing the audience of 14,000 that he felt unable to play the Rachmaninoff concerto, and so substituted a series of solo encores, including a Szymanowski etude, Liszt's arrangement of Schumann's song Widmung, Debussy's La terrasse des audiences du clair de lune and the Chopin C-sharp minor Scherzo. And then he was gone...

Author: /time Magazine | Title: MUSIC: Art & Media: The Reluctant Virtuoso | 7/25/1994 | See Source »

...flower, as well as a zombie-like trance induced by mechanical mental machinations. The phrase, "meditation is good for you" is about as meaningless as "milk is good for you." What kind, how much, and how often are qualifiers that are needed to validate such vague claims. Richard St. Clair...

Author: NO WRITER ATTRIBUTED | Title: Beware Cults That Recruit at Harvard | 12/6/1993 | See Source »

That's fine, reckless advice for any person, any writer. The surprise is that McNally, 54, took his own dare. He is, after all, best known for the zippy romance Frankie and Johnny in the Clair de Lune (which became a movie with Michelle Pfeiffer and Al Pacino) and the funny-poignant Lips Together, Teeth Apart (which is now playing in Los Angeles). Among his dozens of plays are daft farces (The Ritz, Bad Habits), an Emmy-winning TV play (Andre's Mother) and a clever sitcom (Mama Malone), but nothing so eloquent, capacious and true as A Perfect Ganesh...

Author: /time Magazine | Title: Success Is His Best Revenge | 8/23/1993 | See Source »

Other events included a discussion on documentary filmmaking, an homage to French director Ren* Clair and a seminar on film exposure given by Eastman Kodak. The Boston premiere of "In the Soup" at Coolidge Corner's antique theatre closed the festivites. As the antic story of an aspiring independent filmmaker driven to crime to fund his work, Rockwell's film proved a fitting close to a work-shop. Cassel, Rockwell, and his wife, actress Jennifer Beals, afterwards answered questions on the film, made on a minuscule budget of $800,000. Rockwell, a Harvard Square native, belongs to a rare species...

Author: By Allan Piper, | Title: Filmmaking And Fraternit* On the Charles | 5/14/1993 | See Source »

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