Word: cherubim
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Good News From Heav'n from the "Christmas Oratorio' Bach Miserere Allegri Cherubim Song Rachmaninov Cavalier Song Stanford Along the Garden Ways Heilman Chant de Guerre Schmitt (Soloist: Joseph Lautner '21) Chorus of Bacchantes, from Philemon and Baucis" Gounod Moonland Melartin Coronation Scene, from "Boris Godounov" Moussorgsky Intermission Four Folk Songs: The Galway Piper Gute Nacht Reaper's Song Turn Ye to Me (Soloist: C. R. Gordon II/) Drake's Drum Coleridge-Taylor Love Songs: Brahms Not so Close to Me A Tremor's in the Branches Nightingale, Thy Sweetest Song From You Hills the Torrent Speeds Secret Nook...
...find an interesting tour-de-force, men of letters a most scholarly little tract. And the end? Clothes, like the appendix, are a useless relic of evolution. For modesty, for protection, for display, we dress. These purposes are outworn. The new man will be naked as Heaven's cherubim; he will build towers to which the Spire of Salisbury were but a wand...
...Song" and the exultant faith of "Ye Watchers and Ye Holy Ones" were rendered with accurate energy. "De Profundis", on the other hand was made to seem hollow and perfunctory by the hurried staccato delivery of the words. There was more theatricality than feeling in the interpretation. Rachmaninoff's "Cherubim Song", too, became a meaningless jumble of vocal effects, in which one could not see the forest for the trees...
After this last appearance of the full Club this year, only those men who are retained for the European trip will be required to keep up with rehearsals. The tickets have been entirely sold out. The program for tonight is as follows: Cherubim Song Rachmaninoff De Profundis Old Chant O Sacrum Convivium Viadana Glee Club Sonata in G. Major, Brahms Vivace ma non troppor, Adagio. Allegro molto moderato. Mr. Kreisler Has Sorrows Thy Young Days Shaded, Irish Folk Songs Love Songs, Brahms Cavalier Song, Stanford Glee Club. Chanson Louis XIII et Pavane Couperin Variations Tartini Air Rachmaninoff La Fille...
...compositions must be for four or more voices, preferably of contrapuntal character, without solos, and may be either with or without accompaniment, and either sacred or secular in style; if the former, the type represented by Mozart and Cherubim is desired...