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Her father (Benjamin T. Morris ’09) follows suit with his hilarious introductory song, “I am the very model of a modern Major-General.” He delivers his performance with confident, prim inflection at a break-neck pace, capturing the Major-General?...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: HRG&SP's 'The Pirates of Penzance' Proves Arrrrr-esting | 4/20/2010 | See Source »

In the opening scene of “The Pillowman,” a man, covered to the waist in a rough burlap sack, lies sprawled on a table, while a lone wooden rocking horse rests forgotten in a corner. In this one eerie visual tableau, the play?...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: 'Pillowman' Anything But Fluffy | 4/20/2010 | See Source »

Isabel Q. Carey ’12 conveys through her body the psychological destruction of her mind. In the scene where Katurian rescues her from torture, the pair rise and fall together in a dance sequence that captures the heartbreakingly graceful fragility of their limp and beaten bodies. Later, Carey...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: 'Pillowman' Anything But Fluffy | 4/20/2010 | See Source »

Giles often dons garishly gender-bending outfits to depict frightful women in narrated performances of Karturian’s stories. In one, he forces a tight red dress and thick strands of pearls over his detective’s uniform. Even more bizarre, Katurian’s costume for the...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: 'Pillowman' Anything But Fluffy | 4/20/2010 | See Source »

However, these pirates do not disappoint. The Pirate King (Ilan J. Caplan ’10) has a gravitas that makes one of the show’s many exuberant refrains infectious: “But I’ll be true to the song I sing, and live and...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: HRG&SP's 'The Pirates of Penzance' Proves Arrrrr-esting | 4/20/2010 | See Source »

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