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...finds a Harlem journalist named Oscar Fate reporting on a boxing match in the Santa Teresa. Clearly the most narrowly realized of the five sections, Bolaño’s odd-footed parsing of racial and radical politics from New York City has a Kafkaesque absurdity about it (cf. “Amerika”). The world Fate inhabits is awkwardly fleshless, but the details he chooses can illuminate whole parallel universes; “[T]he Mohammedan Brotherhood caught his attention because they were marching under a big poster of Osama bin Laden. They were all black...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Topography of Hell: Roberto Bolaño’s ‘2666’ | 12/4/2009 | See Source »

...Love is the Answer” is a failed attempt at semi-serious themes, embodied in lyrics such as “There will come a day / When we transcend our pain,” which seems out of place on an album of stories filled with teenage drama (cf. “The Girl Got Hot,” “In the Mall?...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: Weezer | 11/6/2009 | See Source »

...strange friendship defined by Perkus’ love for marijuana, cheeseburgers, coffee, and esoterica. Their daily smoke sessions serve an indoctrinatory function as well: Tooth enmeshes both Chase and the reader in the interconnections between things as seemingly disparate as Marlon Brando, “Gnuppets” (cf. Muppets), and the redemption of New York City at large. The level of associations starts small at first, focusing on relations between obscure film directors and their actors. As the plot progresses, however, the associations link one into another until they ensnare the entire world of the novel.Insteadman splits his time...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Lethem's Novel proves 'Chronic' | 9/25/2009 | See Source »

...exemplary driving record.) Letty manages to slip into Dom's car just before the truck crashes and explodes. But the semi hasn't completed its mischief: it starts tumbling toward them. With no escape, Dom guns his car toward the truck, which, following the physical laws of action movies (cf. Live Free or Die Hard), can be counted on to flip and roll just enough so that Dom can drive under...

Author: /time Magazine | Title: Fast & Furious: Auto Eroticism | 4/3/2009 | See Source »

...inevitable is not experienced by most as a phenomenon, but rather as a cliché. This practice of outwardly expressing anger is viewed as common for the simple reason that it is a feeling that has been established as universal: a right of passage for the under-20 set (cf. any movie about high-schoolers ever) and an iconized behavior of the cool (cf. “Rebel Without a Cause” or any show on the CW) that in the lower end of the cool spectrum is more often than not poorly mimed (cf. Lily, who has recently...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: Rock and Rebellion in Shanghai | 9/18/2008 | See Source »

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