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...student organization devoted to exhibiting Harvard student designs—would agree. Although Vestis itself has no specific ties to minority communities, Boltik can understand the aesthetic sense behind these connections. “Even if you look at major designers and their influences for a certain design or collection, it comes from different cultures and perspectives,” she says. “They’re not necessarily bringing a focus on diversity or minorities, but making use of a practice of the industry. Maybe, the two are even inseparable. In this sense, I think this collaboration...
...with this community in the past two years. Another creative director Jane Chun ’12, a Crimson magazine comper, says she partly used fashion to respond to the current social, political, and economic climate. “Why do women want to dress this way? Why are certain trends occurring? These greater questions extend from fashion to a much larger stage. Yes, fashion is a reflection of self, but it is also a reflection of the world and our relationship to the world...
However, despite these shortcomings and the lack of originality in the film’s premise and plot, the movie can be genuinely funny at parts. Especially good are the one-liners placed throughout the film which add a certain comedic charm...
...period piece endows it with a very different meaning than it would have had as a contemporary film in 1956. To place the resurrected “Lunatic” in the same category as, for example, a Tarantino film—whose director intentionally sets certain films in the past as a means of exploring certain generic tropes—indicates a troubling lack of comprehension of Kubrick’s place in cinematic history. Such a choice should serve as an ominous harbinger for anyone concerned with the integrity of the director’s work...
Woolf and Beckett should not be considered as artists in pursuit of the same common goal, but according to Shields, the work of each nevertheless demonstrates certain aspects of the “reality” Shields demands in art: the replacement of traditional plot structure for the uninhibited emotional current of stream-of-consciousness narration in one and the fixation on the absurd in the other. However, Woolf, Beckett, and countless others who practiced these techniques wrote generations before “Reality Hunger” ever hit the shelves. To that end, what good is a manifesto...