Word: cerquetti
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Earthy Presence. Others seeking to identify Leontyne Price's special quality also point not only to her voice but to her person. There are many superb operatic voices among comparative newcomers: Birgit Nilsson. Anna Moffo, Anita Cerquetti, Teresa Berganza, Joan Sutherland. Leonie Rysanek. What distinguishes Price from them as a performer is a kind of earthy presence-a quality that has little to do with acting. Many sopranos and actresses have been called "the essential female" but Leontyne Price convinces most of her audiences that she really fits the description. Not beautiful but with almost translucent brown skin, high...
...invited to return to San Francisco that year to sing Aïda in place of Antonietta Stella, bedridden with an appendectomy. She had become familiar with the role when she sang it with the Philadelphia Orchestra. A year later at Covent Garden, when Anita Cerquetti was forced to withdraw from Aïda for the same reason, Leontyne again filled in. "My career," says she, "was launched on the appendectomies of Italian sopranos...
...performances. They include Victoria de los Angeles, Elisabeth Schwarzkopf, Antonietta Stella, Eleanor Steber, Sena Jurinac, Lisa Delia Casa, Irmgard Seefried, Leonie Rysanek, Risë Stevens. Backing them up is a promising and fast-rising crop of newer stars: Lucine Amara, Anna Moffo, Gloria Davy, Leontyne Price, Birgit Nilsson, Anita Cerquetti, Aase Nordmo-Lovberg, Rosalind Elias, Irene Dalis...
Ponchielli: La Gioconda (Anita Cerquetti, Franca Sacchi, Mario del Monaco, Cesare Siepi, Giulietta Simionato, Ettore Bastianini; conducted by Gianandrea Gavazzeni; London, 3 LPs). A first-rate cast gives a racy reading to Amilcare Ponchielli's old campaigner from Venice, proves that there is a lot more to it than its pop-concert Dance of the Hours. Mellow-voiced Soprano Cerquetti gives a superb performance as "the joyous female" of the title role who loses her blind mother and her lover before she plunges a dagger in her heart. Tenor del Monaco sings so gustily that he conceals the fact...
...second scheduled performance of Norma, the Rome Opera brought in hefty, promising Italian Soprano Anita Cerquetti. "She sang like a peaceful cow," said one critic, but she won a tumultuous ovation. Meanwhile the Opera management withheld Soprano Callas' fee (rumored close to $2,000). The week's last word belonged to a maid at the Quirinale, who said: "She cannot have lost her voice. I heard her screaming at the waiter...