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...wretched, but it can howl." Many have chronicled this past, but none have captured its psyche as Barry did. He wrote and lived his life in the same way he led the post-Faulkner literary renaissance in Oxford--wide open and fearlessly, the same way that Civil War cavalrymen rode into battle, hurling an expression that Barry often employed when signing books for friends: "Sabers...

Author: /time Magazine | Title: Barry Hannah | 3/15/2010 | See Source »

...sandstorms that scattered and eventually destroyed the attacking troops. The Castiglionis' team also heard bedouin tales of an entire valley of bleached human skulls and bones and they did indeed come across a grave of skeletons not far from Siwa. Among the bones was a bit used by Persian cavalrymen to tether their steeds...

Author: /time Magazine | Title: The Vanished Army: Solving an Ancient Egyptian Mystery | 11/17/2009 | See Source »

...Greek phalanx - columns of spear-carriers drawn largely from free property owners with a substantial stake in a battle's outcome - established infantrymen as the centerpiece of European military power. At the Battle of Poitiers (A.D. 732) Frankish infantry, the phalanx's latest adaptation, routed much-feared Muslim cavalrymen. The Franks' victory confirmed, says Hanson, "that good heavy infantry, if it maintained rank and found a defensible position, usually defeated good cavalry...

Author: /time Magazine | Title: Why the West Wins | 3/4/2002 | See Source »

...Greek phalanx?columns of spear-carriers drawn largely from free property owners with a substantial stake in a battle's outcome?established infantrymen as the centerpiece of European military power. At the Battle of Poitiers (A.D. 732) Frankish infantry, the phalanx's latest adaptation, routed much-feared Muslim cavalrymen. The Franks' victory confirmed, says Hanson, "that good heavy infantry, if it maintained rank and found a defensible position, usually defeated good cavalry...

Author: /time Magazine | Title: Why the West Wins | 1/10/2002 | See Source »

What they left, instead, is a foundation myth in paint and stone. Its main character is God, the approving father, as manifested in the landscape that he had created and that white migrants were now taking for themselves. Its human actors are frontier scouts and settlers, cavalrymen and trappers, and the American Indians -- noble at first, then seen as degenerate enemies of progress as the century went on and their resistance grew, and finally (by the 1890s) turning into doomed phantoms. Its landscapes are prodigious. Its stage material includes the Conestoga wagon, the simple cabin, the tepee, the isolated fort...

Author: /time Magazine | Title: Art: How The West Was Spun | 5/13/1991 | See Source »

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