Word: cast
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Dates: during 1990-1999
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Moreover, eBay has exposed America as a nation of collectors. Matchbook covers, cast-iron witches' cauldrons, Pez dispensers, pneumatic grease pumps from the 1920s, Three Stooges memorabilia--you name it, some American somewhere collects it. "We define ourselves by our stuff," says Robert Thompson, president of the Popular Culture Association and a Syracuse University professor who specializes in the study of collectibles. In a democracy, with everyone theoretically equal, people want to be different. We don't have a caste system; we've never had a blood-line aristocracy. We've distinguished ourselves by our cars, by the clothes...
...decades now, especially in the past couple of years, black actors have complained about being snubbed for starring roles on TV. So after the TV networks announced their fall lineups last spring, Kweisi Mfume arrived in Hollywood with his own script proposal. The N.A.A.C.P. president cast himself as the leading man, a swaggering yet politically correct Terminator of all things racist about Tinseltown. His first mission: to strong-arm the networks into hiring more minorities to work in front of and behind the cameras. Mfume's early salvos had the fire of civil rights rhetoric...
...although it might seem that if one were making a movie about a charismatic, handsome, wealthy young man and the lonely misfit who desperately wants to be him, one would cast Damon in the glamour boy's role, he says he identifies with the dork. "I really relate to Ripley," says Damon. "I always did. I think most people will." And while there are differences--Damon says he played Ripley as a virgin, which, given his dating history (Claire Danes and Minnie Driver are two of the famous ones), must have been a stretch--there are also similarities. Damon...
Damon, who like Blanchett and Paltrow was cast in the film before achieving Oscar-night eminence, knows how to emit charm--of the aw-shucks variety in The Rainmaker or streetwise in Good Will Hunting. Here, though, he is a plodder. Pasty white among the bronze gods of Mongibello, striding stiffly, with nerdy glasses adorning his pinched face, Damon could more easily be mistaken for the creepy losers Hoffman usually plays (in Boogie Nights or Happiness) than for a patrician hunk like Dickie. The deglamorizing of Ripley pays off beautifully in his final meeting with Freddie, who sees through...
...Boulevard. American movies have lost the love of grandeur, of finding the heroic scale of historical figures. Chen Kaige to the rescue! China's longest-reigning angry young filmmaker has an eye for rapturous compositions on a huge and telling tapestry. His new film mixes DeMille and Dostoyevsky: the cast-of-thousands splendor of a biblical epic and the gnarled psychology of Chen's own Farewell My Concubine. And all in less time than a Stephen King prison drama...