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...Carlotta, the Enigmatic Mother, was a frisky and fashionable actress living a life of frantic emptiness. And the Disagreeable Suitors were a passel of New York busybodies, creatures on the make. From this situation Novelist Sykes, an urbane critic of the U.S. urban way of life, has spun a quiet and thoughtful novel...

Author: /time Magazine | Title: Books: Contemporary Ulysses | 9/29/1952 | See Source »

...Carlotta, says one of her friends, is possessed by "the Zeitgeist." For her, everything runs by fad: in the '30s she marched in Union Square, now she cultivates her ego. Still beautiful in middle age, her mind as sleek as her skin, shrewd in business, burning with vanity, oozing prefabricated charm, she personifies the glossiest in Manhattan nightclub and summer-resort society. One weekend, in the summer of 1950, while the radio hums with reports of war in Korea, Carlotta throws a party in East Hampton for a speculator in money and models, a fellow-traveling movie director...

Author: /time Magazine | Title: Books: Contemporary Ulysses | 9/29/1952 | See Source »

...round of ceremony began again. President Truman drove over to the National Palace for a formal welcome by President Aleman. At 7:30 he was back for a state dinner in the Comedor under the great crystal candelabra installed by Mexico's ill-fated Maximilian and Carlotta...

Author: /time Magazine | Title: THE PRESIDENCY: Double Eagle | 3/10/1947 | See Source »

...Neill had no reason to worry about money. His plays had netted him some $2,000,000; he could hope for a steadier income only if he had also written the Bible and a cookbook. His third marriage, with lovely Actress Carlotta Monterey, who had played opposite Louis Wolheim in O'Neill's The Hairy Ape (see cut), was an eminently happy one. After an all but mythically swift rise to fame, with 37 plays, he was still relatively young. In experience, he was a brilliant, confident professional, at the height of his hopes and powers...

Author: /time Magazine | Title: The Theater: The Ordeal of Eugene O'Neill | 10/21/1946 | See Source »

...their prospects. They christened it Tao House. * In 1935, O'Neill began to block out his massive cycle of plays. Every day he worked from about 8 in the morning until about 1 :30, writing as a rule quite freely and surely, in his elegant, complex, microscopic hand. Carlotta, often with the help of a magnifying glass, typed up each day's work as it came along...

Author: /time Magazine | Title: The Theater: The Ordeal of Eugene O'Neill | 10/21/1946 | See Source »

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