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What was the most powerful motivator for writing Avatar? -Marc Monroe, Paris One powerful motivator was the opportunity to do a mega-design project, where you get to design everything--the vehicles and the creatures and the plants and everything that's in front of the camera. (Watch the interview with James Cameron...

Author: /time Magazine | Title: 10 Questions for James Cameron | 3/4/2010 | See Source »

That extraordinary scene, captured last year by the rider's own helmet-mounted camera - the video was confiscated as evidence and made public by authorities - is even more extraordinary because it actually ended with an arrest. Usually, the police are no match for the racing bikes - known on the street as "crotch rockets...

Author: /time Magazine | Title: Florida's Fast Motorcyclists Are a Growing Menace | 3/3/2010 | See Source »

JHFH: Kieran had the Panasonic HVX camera that we used, and most of the light and sound equipment we got from Georgia State University for free. We were lucky enough to find both professional and nonprofessional actors who were willing to work for free. For one of the scenes we had to have food for the whole family, but we didn’t have enough money to go out and buy a five-person meal. So we went and bought five frozen TV dinners, and we were on such a tight schedule that we didn’t have...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Spotlight: John Henry F. Hinkel '12 | 3/2/2010 | See Source »

...begins, the camera pans from an empty suite and unreasonably clean bathrooms, only to conclude both ambiguously and ominously with the date "3.8.10." While we know to fear the year 2012, when the world will come to an end, we weren’t sure what we're supposed to feel about this coming Monday is (a plague wipes out Harvard leaving it empty and in pristine condition...

Author: By Gautam S. Kumar, CRIMSON STAFF WRITER | Title: Harvard Wants Your Money | 3/2/2010 | See Source »

While Teddy tries to separate the insanity on the island from his own reality, Scorsese interlaces the more or less straightforward filming of the interrogation scenes with the hallucinogenic tragic realism of Teddy's nightmares. At Dachau, corpses stir and papers flutter; with his wife, the camera executes a 360 around the couple as Dolores dissolves in Teddy's embrace, her ashes swirling around the room. A grieving man's conversation with his dearly departed has become a peculiar subtheme in a half-dozen recent movies, from Up last summer to Edge of Darkness a few weeks...

Author: /time Magazine | Title: Shutter Island: Engrossing, Not Enthralling | 3/1/2010 | See Source »

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