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...Palme d’Or) and exhibition in Europe, domestic critics have attacked the film on three counts. They decry its depiction of an imaginary Depression-era small town for its brutality, its director for presuming to understand our country without ever having set foot in it, and its callous end-credits, which set Walker Evans’ famous photographs of impoverished southerners to the strains of David Bowie’s “Young Americans”. One called the film’s message “Taliban thinking” to von Trier?...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: New in Film | 4/16/2004 | See Source »

...this attack, and those who had were not especially affected or concerned. It was not even the headline the following day in the Boston Globe. Could Americans really be so self-interested to not care? Could we possibly have become so accustomed to such tragedies to have grown callous to them? Perhaps there was a time when it was somewhat excusable that Americans did not empathize with those affected by disasters of this nature—we hadn’t experienced such tragedy. But Sept. 11, 2001 should have changed all that. We know exactly what the Spanish...

Author: By Nathan G. Bernhard, | Title: March 11, Madrid | 3/18/2004 | See Source »

...indeed, if emotion were the sole determinant of one’s position, he or she would undoubtedly favor stem-cell research. But public policy should not reflect a hasty utilitarian calculus born of sentimentality; it should reflect logic flowing from scrupulous moral deliberation. That may seem a callous thing to say, especially given the heartfelt appeals for stem-cell research from the likes of Michael J. Fox, who is afflicted with Parkinson’s disease, and Christopher Reeve, who is paralyzed from the neck down. But our intrinsic human yearning to discover enhanced palliative treatments and unprecedented cures...

Author: By Duncan M. Currie, | Title: Cells, Embryos and Justice | 3/10/2004 | See Source »

...consider myself a somewhat sensitive person, I have to become very distanced from the guy being beaten if the aspect I concentrate on is the aggressor’s technique: it surprised me how little I cared about this character’s life. I am not being callous, but there are three fatal flaws that damage the film for nonbelievers: almost no characterization or narrative, a spectacularly large amount of violence and almost all of the Jews are evil Christ-killers...

Author: NO WRITER ATTRIBUTED | Title: FILM REVIEW | 3/5/2004 | See Source »

...consider myself a somewhat sensitive person, I have to become very distanced from the guy being beaten if the aspect I concentrate on is the aggressor’s technique: it surprised me how little I cared about this character’s life. I am not being callous, but there are three fatal flaws that damage the film for nonbelievers: almost no characterization or narrative, a spectacularly large amount of violence and almost all of the Jews are evil Christ-killers...

Author: By Ben B. Chung and Scoop A. Wasserstein, CRIMSON STAFF WRITERSS | Title: Film Review of The Passion of Christ | 3/5/2004 | See Source »

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