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...wife should embrace and dance in front of others is beyond embarrassing.” Chelsom never explains what makes ballroom dance equally taboo in 21st-century Chicago. He tries to plug this plot hole subliminally instead by making Miss Mitzi’s look a lot like a brothel. Nevertheless, it’s hard to salvage a bungled plot with neon lighting and sweaty-palmed patrons...

Author: NO WRITER ATTRIBUTED | Title: Happening | 10/29/2004 | See Source »

...wife should embrace and dance in front of others is beyond embarrassing.” Chelsom never explains what makes ballroom dance equally taboo in 21st-century Chicago. He tries to plug this plot hole subliminally instead by making Miss Mitzi’s look a lot like a brothel, but it’s hard to salvage a bungled plot with neon lighting and sweaty-palmed patrons...

Author: NO WRITER ATTRIBUTED | Title: Happening | 10/22/2004 | See Source »

...Chelsom never explains what makes ballroom dance equally taboo in 21st-century Chicago. He tries to plug this plot hole subliminally instead by making Miss Mitzi’s look a lot like a brothel, but it’s hard to salvage a bungled plot with neon lighting and sweaty-palmed patrons...

Author: By Nathan J. Heller, CRIMSON STAFF WRITER | Title: Film Review | 10/15/2004 | See Source »

...which a smiling face chalked on the wall eclipses a spent man below. Before he died, Cartier-Bresson had a final look at his images for the exhibit, taking in his surrealism-influenced shots of Mexico and unselfconscious images of Europe, such as the ambiguous mutual grooming outside a brothel in an image titled Alicante. That last look, says Agn?s Sire, director of the Fondation Henri Cartier-Bresson, "made him very happy...

Author: /time Magazine | Title: Capturing Genius | 9/6/2004 | See Source »

...which a smiling face chalked on the wall eclipses a spent man below. Before he died, Cartier-Bresson had a final look at his images for the exhibit, taking in his surrealism-influenced shots of Mexico and unselfconscious images of Europe, such as the ambiguous mutual grooming outside a brothel in an image titled Alicante. That last look, says Agnès Sire, director of the Fondation Henri Cartier-Bresson, "made him very happy." The exhibition runs through Dec. 19, before traveling to the Musée de l'Elysée, Lausanne, in February. For information, go to: www.henricartierbresson.org...

Author: /time Magazine | Title: Capturing Genius | 9/2/2004 | See Source »

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