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Word: brickman (lookup in dictionary) (lookup stats)
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...arrival). Word of mouth advertising has only gone so far, although this weekend implies that O’ Sullivan knows what he’s talking about. “I didn’t know about it until this Friday,” says Sophie F. Brickman ’07. “New bars in the Square seem to catch on really fast, so suddenly everyone was there Friday and Saturday.” As the owner of two other successful Tommy Doyle’s locations, O’ Sullivan hopes that the Harvard bar will...

Author: By Elaine Chen, CONTRIBUTING WRITER | Title: New Tommy In Town | 12/7/2005 | See Source »

...creators of Jersey Boys, librettists Marshall Brickman and Rick Elice and director Des McAnuff, went for Plan C. They had two ideas for freshening the material. One was to emphasize the Seasons' Italo-American roots, especially the connection to the New Jersey mob of founder Nick DeVito; this turns the show from a simple exercise in Frankie Valli nostalgia into "The Falsetto and the Sopranos." The other was to give each member of the group weight by letting him tell part of the story. Tommy says, "You ask four guys, you get four different versions." That's Jersey Boys...

Author: /time Magazine | Title: The Falsetto Meets "The Sopranos" | 11/25/2005 | See Source »

...that Sophie Brickman on your cover...

Author: By FM Staff, CRIMSON STAFF WRITER | Title: FM Explained | 12/16/2004 | See Source »

Intersection is -- earnestly, self-consciously -- a movie for grown-ups. It is made by veteran adults (director Mark Rydell; writers Marshall Brickman and David Rayfiel). It takes up a "mature" (if not exactly original) theme, that of a man torn between the responsibilities of marriage and the delights of a young mistress. It comes to an ending that is both tragic and neatly ironic. And it is a movie that does not for one minute draw you into its life, make you believe in its reality...

Author: /time Magazine | Title: Out of Touch | 1/31/1994 | See Source »

...inspired passage. Allen and Marshall Brickman, the co-writer who worked with him so brilliantly in the past (Annie Hall, Manhattan), have concocted a steady stream of badinage that buoys the whole movie along. But these exchanges evaporate, and the movie is surprisingly flat visually. There comes a moment when you realize how wrong just being funny is for Allen. Ambition is an essential goad to his sensibility. It pushes him toward the rueful resonances of those previous Brickman collaborations and toward the magical transformations of reality in The Purple Rose of Cairo and Radio Days...

Author: /time Magazine | Title: Just Funny Isn't Enough | 8/23/1993 | See Source »

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