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...Most of the early Mann films, though, show how dependent he was on Hollywood clich?s. In the 1946 Strange Impersonation, scientists Brenda Marshall and William Gargan (we know they're intellectuals because they both wear nerdy spectacles and have bad posture) are engaged to be married, much to the vexation of lab assistant Hillary Brooke. Through some strenuous plot exertions, Marshall has a fight on her penthouse terrace with another scheming scheming woman, who plunges to her death on the sidewalk below. "Fell right on her face," a bystander observes. "They wouldn't be able to tell...

Author: /time Magazine | Title: The Best Mann | 7/28/2006 | See Source »

...BRENDA WILLIAMS Asheville...

Author: /time Magazine | Title: Letters: Jun. 19, 2006 | 6/11/2006 | See Source »

...foster care because they fail to get adopted by the time they turn 18 are especially at risk for homelessness, unemployment and incarceration. "When you grow up in foster care, you just don't get the skills it takes to develop a successful adulthood," says Brenda McCreight, author of Parenting Your Older Adopted Child...

Author: /time Magazine | Title: When Foster Teens Find a Home | 5/29/2006 | See Source »

...seem to be aligned for Aboriginal art. Yunupingu was one of eight indigenous Australian artists invited to create work for the museum-not to hang on its walls, but rather to be woven through the fabric of Jean Nouvel's visionary architecture. For indigenous art curators Hetti Perkins and Brenda Croft, it was a chance to define something that has remained by its very essence indefinable...

Author: /time Magazine | Title: A Parisian Romance | 5/15/2006 | See Source »

...rave-up “Afro Blue.” As thrilling as these antics were, they raised troubling questions about the propriety of cultural appropriation that were not answered, or even addressed, in the context of the recital. “Shadows,” choreographed by Brenda Divelbliss, a Harvard Dance Program instructor, conformed most closely to the stereotypical notion of modern dance. Unlike the other pieces, the abstract “Shadows” did not adhere to any particular narrative or seem motivated by an aesthetic originating outside the world of modern dance. While the piece?...

Author: By Bernard L. Parham, CRIMSON STAFF WRITER | Title: ‘Dancical Werks’ Captures the Mood | 4/17/2006 | See Source »

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