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...convocation. Lee and his partners were also determined to make the movie on a shoestring budget of $2.4 million. The director waived his usual $5 million fee and worked for scale, as did the entire cast, including such well-known actors as Ossie Davis, Charles Dutton and Andre Braugher. The combination of low cost, big names and a built-in audience made Bus an attractive project, and Columbia Pictures offered to finance it. But Lee saw it as an opportunity to break into the white-dominated world of film financing. "I said to Reuben...

Author: /time Magazine | Title: CINEMA: IN THE DRIVER'S SEAT | 10/21/1996 | See Source »

...Fighter Squadron, which first went into combat in April 1943 and eventually shot down 16 enemy planes, destroyed four more and damaged six others in just nine months. Laurence Fishburne (What's Love Got to Do with It), Allen Payne (New Jack City), Cuba Gooding Jr. (Outbreak) and Andre Braugher (TV's Homicide) play the much-decorated flyers. "Nothing compares to this," says Robert Williams, 73, an airman who sold the story concept to hbo after spending 43 years shopping it around Hollywood. "Not even flying 50 missions, shooting down two Germans and getting the Distinguished Flying Cross from...

Author: /time Magazine | Title: WINNING THE RIGHT TO FLY | 8/28/1995 | See Source »

Kevin Jarre's script makes no direct comment on these matters, and a squad of fine actors ground the film in felt reality: Denzel Washington is a proud and badly misused troublemaker; Driving Miss Daisy's Morgan Freeman a steadying influence; Andre Braugher a Harvard student who finds Emersonian idealism of small help in mastering the bayonet. It is the movie's often awesome imagery and a bravely soaring choral score by James Horner that transfigure the reality, granting it the status of necessary myth. Broad, bold, blunt, Glory is everything that a film like Miss Daisy, all nuance...

Author: /time Magazine | Title: Cinema: Of Time and the River | 12/18/1989 | See Source »

...players into charm and clarity in telling myriad tales of mistaken identity, most of which turn on the interchangeability of gender. Mastrantonio lacks the requisite androgyny but is otherwise faultless. Woodard, one of four black leads chosen in admirably color-blind casting, excels at seductive banter, and Andre Braugher is thrillingly intense as a pirate who risks his life to help a shipwrecked princeling. Hines serves mostly as a vaudevillian onlooker whose antics are a reminder that he is the premier tap dancer...

Author: /time Magazine | Title: Theater: Star Time in Central Park | 7/17/1989 | See Source »

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