Word: bradford
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Dates: during 1980-1989
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...Tempest By William Shakespeare Music by Adam Gorgoni Directed by Patrick Bradford At the Loeb Mainstage Through...
...fair, director Patrick Bradford's Tempest is worth seeing for its first-rate performances. Eric Oleson is superb as the aging Gonzalo, shuffling and pontificating with perfect ease. Nick Lawrence pulls off a highly credible Prospero; Naama Potok and Andrew Sullivan are convincing as the youthful lovers Miranda and Ferdinand...
...most adventurous device, Bradford clothes Evett in green body make-up and transparent loincloth, and has him dart around the stage, sometimes quickly, sometimes stroking the air with slow-motion body gestures to create the impression of being lighter-than-air. The effect works; Evett manages to deliver some momentous dialogue with astonishing pungency, all the while balancing his taut figure in the pose of a Greek discus thrower...
...director's decisions are more questionable elsewhere. Although Bradford has interestingly restructured the Loeb stage to allow for the play's beachfront scenes, the set and costume design for this show is surprisingly bland. The strange dance numbers, though called for by Shakespeare's script, are less than entirely successful...
...Sunday night, the beginning of production week for The Tempest. The cast is tense yet confident, like a seasoned platoon preparing to return to the front. Tonight we must finish the cue-to-cue work, synchronizing the lighting changes with the actors' scenes on stage. The director, Patrick Bradford, is trying to decipher his notes, hastily scrawled during last night's technical run-through. Apparently my performance was flawless, for none of the five lines I deliver are commented upon...