Word: boylston
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Dates: during 1960-1969
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Unidentified thieves broke into the Harvard Athletic Department Ticket Office at 60 Boylston St. Sunday night, opened the safe, and escaped with the cash and checks inside...
WHEN Boston After Dark's staff of five moved into their Boylston Street office last April they thought they had found a mansion--but now they're looking for more space. In April they were considering using half the rooms for a movie theatre, but by this Wednesday they were pushing aside cans full of garbage to make room for their eighteenth staff member. The cans of garbage are hidden away in the barest of the eleven makeshirt rooms--for BAD's office is colorful, alive; walls are covered with posters, clippings, day-glow pink and green buttons. While most...
Before the Boylston St. office there was an office in Somerville -- 200 square feet of space housing a staff that expanded from three to five members. And before that, during the school year of 1965-66, BAD was only a few pages in the Harvard Business School newspaper, HarBus. The Business School had a student calendar--similar to HSA's Something Happening, now challenging BAD's distribution at Harvard--but the calendar folded and HarBus -- business manager: Lewis--picked up the entertainment news. "An interesting side-light on all this," Lewis said, " is that HSA claimed then that it circulated...
...eager people in the Boylston St. office are glad to tell these stories; when they talk about their paper pride spills all over. "We're untouchable," Lewis says. "We won't give advertisers irrelevant publicity simply because they're our advertisers, so we can't have trouble." Mindich interrupts. " Awareness of BAD has spread on its own--we've done virtually no self-promotion." But the real interest of these people is in their future, the future of Boston After Dark--and what lies beyond...
...Anthony Harvey, the director, who seems bent on doing everything as conspicuously as he can. Neither Peter O'Toole nor Katharine Hepburn gives much of a performance in this cumbersomely filmed version of James Goldman's play, which was unconvincing to start with. At the PARIS CINEMA, 841 Boylston...