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Though the numbers remain to be finalized, over the next three years beginning on July 1, Mass. General will give the Medical School $11.1 million; Brigham and Women’s Hospital, about $9 million; Beth Israel Deaconess Medical Center, $6.1 million; Children’s Hospital Boston, $5.1 million; and Dana-Farber Cancer Institute, $1.5 million...

Author: By Xi Yu, CRIMSON STAFF WRITER | Title: HMS To Receive $36M From Hospital Affiliates | 6/21/2010 | See Source »

...Professor Robert A. Stickgold, Associate Professor of Psychiatry at Harvard Medical School and Beth Israel Deaconess Medical Center! You just completed a study that found dreaming about a task helps you perform better on it. Now that reading period is upon us, do you think dreaming about our exams helps us get better grades...

Author: By Jyotika Banga, CRIMSON STAFF WRITER | Title: Hey Professor Robert A. Stickgold! | 5/7/2010 | See Source »

...important in how you initially visually perceive a production,” says Beth G. Shields ’10, “because it is the fixed thing in the show. As the action, the story, and the time change, the set can really guide the audience through the atmosphere the way that the dialogue guides you through the literal events of the story...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Beth Shields '10 | 4/27/2010 | See Source »

...done some design in high school on a very small scale,” he explains, “but I never had any formal lessons. During my freshman spring I just started assisting on all kinds of shows and learned that way.” But according to Beth G. Shields ’10, former president of the Harvard-Radcliffe Dramatic Club (and Zellmann-Rohrer’s girlfriend), Zellmann-Rohrer’s knack for lighting design has never been hindered by a lack of formal training. “Michael possesses a phenomenal talent...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Michael Zellmann-Rohrer ’10 | 4/27/2010 | See Source »

...front of a flat, black backdrop. It is only once they venture into the woods that the characters’ paths begin to cross and the familiar stories become complicated. The stage, too, becomes more elaborate, as the backdrop is lifted to reveal the set, stunningly designed by Beth G. Shields ’10. The trees are stylized to appear textured, ancient, and gnarled, appropriately evoking the atmosphere of a supernatural forest. Reddout, in her direction, makes excellent use of this space. One tree doubles as Rapunzel’s tower; another becomes a vehicle for a benevolent apparition...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Into the Woods | 4/27/2010 | See Source »

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