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...BERLIOZ: BENVENUTO CELLINI (Philips, 4 LPs). Berlioz's first opera is deeply poetic, grandly exuberant and stunningly performed under Conductor Colin Davis...

Author: /time Magazine | Title: Music: The Year's Best LPs | 1/1/1973 | See Source »

...wrote on a self-portrait "Yo el Rey"-the King. This motif runs through his art and life. To think that Picasso has ever been embarrassed by the homages paid him would be naive. Though prone to fits of self-doubt, he is the most naturally egotistic artist since Benvenuto Cellini, a standing refutation of the cozy untruth that geniuses are rather humble at heart. Significantly, he read Nietzsche when he was young, and there is an exhortation in Zarathustra that could well serve as the epigraph to his career: "You must become a chaos if you would give birth...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

...died shortly after a match. Henry VIII was reportedly puffing around the court when aides informed him that Anne Boleyn's beheading had been accomplished. In 1641, Louis XIII of France defeated Philip IV of Spain in a match, perhaps because Cardinal Richelieu was the referee. Benvenuto Cellini also took a whack at the game, as did the Duke of Wellington. Napoleon played, but badly...

Author: /time Magazine | Title: Tennis: King of the Court | 5/30/1969 | See Source »

ONCE, the art of the silversmith was high art. In the Middle Ages silver in Europe was reserved for kings, princelings and powers, whether religious or secular. An established sculptor like Benvenuto Cellini did not consider it beneath him to fashion elaborate silver ewers and saltcellars, even though they looked more like the Trevi fountain than a functional device...

Author: /time Magazine | Title: Art: New Values for Old Silver | 3/7/1969 | See Source »

...comeback was both massive and sudden, and it came as quite a surprise that the H.R.O. was able to perform as well as it did. A program consisting of Berlioz's Overture to "Benvenuto Cellini," Beethoven's Piano Concerto No. 1, Ravel's "Le Tombeau de Couperin," and Stravinsky's Symphony in Three Movements contains an ample selection of hexes for orchestral musicians. The Berlioz was a failure, but this shaggy, distorted reading can be set aside (though not excused). Neither the orchestra nor guest conductor John Corley was ready to bandle such a wildly gyrating piece, and with...

Author: By Lloyd E. Levy, | Title: Harvard-Radcliffe Orchestra | 5/14/1968 | See Source »

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