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...Juilliard building is a triumph of architecture, technology and sheer cash. Designed by Architect Pietro Belluschi and put up at a cost of $30 million, the building encompasses 8,000,000 cubic feet spread over nine floors. It houses 15 gigantic rehearsal rooms, three organ studios, 84 practice rooms, 30 private studios, two recital halls (including Alice Tully Hall, Lincoln Center's acoustically superb home for chamber music) and limitless vistas of plush, carpeted corridors and lobbies. There is also the thousand-seat Juilliard Theater. Its pop-up ceiling can be raised or lowered (up for big orchestras, down...

Author: /time Magazine | Title: Schools: A Jewel of a Juilliard | 10/31/1969 | See Source »

UNIVERSITY OF MASSACHUSETTS Dr. Hastings Kamuzu Banda, LL.D., President of Malawi. You are truly pediatrician to an infant republic. Pietro Belluschi, D.F.A., architect. Edwin H. Land, LL.D., president of Polaroid Corp...

Author: /time Magazine | Title: Kudos: Round 2 | 6/16/1967 | See Source »

...controlled building." The bronze will sit, unpedestaled, as the centerpiece of a 120-ft. by 80-ft. reflecting pool, surrounded by the elevations of the late Eero Saarinen's Vivian Beaumont Theater, Max Abramovitz' Philharmonic Hall, Wallace K. Harrison's Metropolitan Opera House and Pietro Belluschi's yet-to-be-built structure for the Juilliard School of Music. "I didn't want my piece to stand there like a wooden soldier," says Moore...

Author: /time Magazine | Title: Sculpture: The Heroic Bather | 9/3/1965 | See Source »

...design advisory committee includes four men from the Boston area: Hideo Sasaki, professor of Landscape Architecture, Benjamin Thompson, professor of Architecture, Hugh A. Stubbins, the Cambridge architect who designed the Loeb Drama Center, and Pietro Belluschi, dean of the M.I.T. School of Design...

Author: NO WRITER ATTRIBUTED | Title: 18 Architects to Advise About Kennedy Library | 3/6/1964 | See Source »

Babylon, Beaux-Arts. Yamasaki will be faced with a problem that many notable architects come up against nowadays: working "in association with" another firm of building planners on the job. As in the case of the Gropius-Belluschi Pan Am Building in Manhattan, the "associates" will be the firm of Emery Roth & Sons, whose glassy budget ziggurats have transformed much of the city into a white-collar Babylon. Whether Yama can maintain his usual no-detail-is-too-small control over the project's construction is a question that bothers many of his fellow architects. Says...

Author: /time Magazine | Title: Art: Onward & Upward | 1/24/1964 | See Source »

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