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...Leonard-Hearns. Hearns-Hagler. Leonard-Hagler. LeMond nipped Fignon on the last day. Salazar beat Beardsley by two seconds after 26 miles. Johncock beat Mears by a nose after 500 miles. Bruce Hayes somehow held off Michael Gross...

Author: By Theodore D. Chuang, | Title: Daddy? What Were Sports in The 80s Like? | 12/15/1989 | See Source »

Hard-running Dave Beardsley and speedy Annor Ackah also return to the Crimson backfield...

Author: NO WRITER ATTRIBUTED | Title: Harvard Teams Open Fall Offensives | 9/16/1988 | See Source »

Mapplethorpe's imagery comes trailing a long pedigree, from the Yellow Book decadence of Aubrey Beardsley to Edward Weston's peppers, from Cocteau's classical echoes and erotomania to the chiseled male nudes shot by George Platt Lynes in the '30s and '40s. It also indulges a fascination with style and surface that is very much of the present. Mapplethorpe trafficked expertly in the prevailing moods of the '70s and early '80s, the appetite for both glamour and decadence, high fashion and subterranean sex. That has caused him to be dismissed at times as a vendor of deluxe fantasy...

Author: /time Magazine | Title: Photography: Leatherboy And Angel in One | 8/22/1988 | See Source »

...their credit, Livingston and Beardsley have stuck to their guns and striven to choose the art on artistic, not sociological, grounds. One may gripe about the presence or absence of this or that name. (Why, for example, was someone as distinguished and inventive as Puerto Rico's Rafael Ferrer left out?) But, in the main, the show is a real revelation...

Author: /time Magazine | Title: Art: Heritage Of Rich Imagery | 7/11/1988 | See Source »

...Beardsley points out in the catalog, the search for an identifiable American style was one of the great cultural fantasies of the 1950s and '60s. Once found, it was assumed, such a consensus would enable Americans to pit their art with confidence against the School of Paris. And it was found in abstract expressionism and then in color-field painting -- both high styles and, in theory at least, sociologically neutral. Thus, writes Curator Beardsley, there appeared an "unwritten presumption that the nearer an artist aspires to the level of high art, the more leached out will become the ethnic content...

Author: /time Magazine | Title: Art: Heritage Of Rich Imagery | 7/11/1988 | See Source »

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