Word: autobahn
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...HRDC, and in that time she has covered a wide range of theatrical territory, including last year’s productions of “Richard II” and “The Rocky Horror Show,” and this fall’s “Autobahn: A Play Cycle.” But her Harvard performances haven’t been confined to acting—she has also appeared in last spring’s “Dancers’ Viewpointe VI” and November’s dance showcase...
...This lyric is emphasized in the music that opens Neil Labute’s “Autobahn: A Play Cycle,” and it suggests a major theme of the new Loeb Experimental Theatre show: within the private confines of an automobile, conflicts spanning the full range of human emotions can emerge between two people...
...Ritchie’s other major role is one of the best in the show. In “All Apologies,” a one-sided conversation between a couple experiencing troubles in their marriage, she delivers the single funniest monologue of “Autobahn.” A mixture of rambling bluster, linguistic commentary, and heartfelt apology, Ritchie manages to make her scene really come to life...
...Sophie C. Kargman ’08 also turns in a solid performance as a foster mother facing failure in “Autobahn,” the eponymous final piece of the play. Like many of the other actors, Kargman’s performance occasionally lacks momentum, seeming to ramble for long periods without character development. Nonetheless, Kargman brings a strong personality to her role that makes it comically superficial, yet ultimately deeply poignant...
...forced to remain in such a confined space. Five actors play ten different characters facing crucial points in their lives: for example, a young couple on the verge of breakup and a man hoping for his wife’s fidelity. According to students involved with “Autobahn,” the play’s sense of intimacy approaches that of a film or even a novel. In fact, it’s this sense of closeness that drew director Adam G. Zalisk ’07 to the script. His past three productions were much more...