Word: arutunian
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...economic collapse. Many agree with engineer Arthur Verdian that "a government whose people are starving does not have the moral right to rule." Others believe it is time to find a compromise over Nagorno-Karabakh. "We have to stop this war by any means," says Armen Arutunian, a doctor. "The world community should intervene. There already have been too many victims, so many losses." Antigovernment demonstrations are on the rise, but the President has little room to maneuver. A militantly nationalist opposition, supported by the several-million-strong Armenian diaspora around the world, rejects the slightest concession over Nagorno-Karabakh...
Indeed they do. Whether she sports Despina's serving-girl mufti in Mozart's Cosi fan tutte, is decked out in the rococo raiment of Sophie in Strauss's Der Rosenkavalier, or sweeps glamorously onto a concert stage dressed in one of her custom-made Rouben Ter-Arutunian gowns, it is impossible to imagine Battle's ever taking a letter or raising a ruler again. She is an ethereal Nannetta in Verdi's Falstaff, a sparkling Zerbinetta in Strauss's Ariadne auf Naxos and a beguiling Susanna in Mozart's The Marriage of Figaro, which she will sing...
Before an audience Battle projects a captivating, gentle beauty. She is the undisputed best-dressed concert performer in the business, appearing on stage adorned in gowns created by her friend Ter-Arutunian, who is better known as a designer of opera, ballet and theater costumes and sets. For a PBS special on Duke Ellington he fashioned a sinuous red number that suited the song Creole Love Call; for her Carnegie Hall performance of Semele, based on a mythological subject, he produced a one-shoulder dress that suggested a Grecian column. "In a live performance, who doesn't listen with their...
Part 1 unfurls to the ominous tattoo of unaccompanied drums. Six Scots clans and one all-girl Canadian regiment strut forth for a radiant massing of the colors. Rouben Ter-Arutunian's kilts are ravishing in their tartan greens, blues, yellows, scarlets and burgundies. At first the clans, led by such soloists as Jacques d'Amboise, Karin von Aroldingen and Suzanne Farrell, yield the floor to each other for classical ballet variations on the reel, jig and sword dance. But what Balanchine weaves at the end is a counterpart in motion for the plaid costumes. As 70 dancers...
...Grey perform feats of theatrical valor, but their talents are wasted. Grey is given only one dance, which he executes with goat-footed guile, while Reinking courses across the stage like a thoroughbred in the stretch. The music races toward oblivion rather than anyone's ears. Rouben Ter-Arutunian's majestic scenery features a columned, rotunda-like set with a cascade of steps. This forces Onna White to choreograph dances in which the chorus troops trippingly, and repeatedly, up and down...